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Dining Agenda by Sara Ferrari and Marcella Fiori

31 March 2009 {2} Comments

London-based, Italian designers Sara Ferrari and Marcella Fiori have designed a book of place mats for note-taking during meals. The book has a wooden cover with press-out cutlery. [...]

Ron Arad- new work at Timothy Taylor Gallery

31 March 2009 {1} Comment
08 April 2009 - 09 May 2009

The famous London based, Timothy Taylor Gallery is delighted to present an exhibition of new works by Ron Arad. This marks the first show at the gallery since it announced sole representation of Arad in the UK. [...]

Mister X - a journey inside the material

31 March 2009 No Comments

Preview of the event “Mister X", a journey into the macro particles of aluminium through cyclopic telescopes that will come down from molecular walls. A dotdotdot creation that will take place in the heart of Zona Tortona during the Milan Design Week. [...]

Do It Yourself Dress

When fashion designer Berber Soepboer approached graphic designer Michiel Schuurman in August 2008 to design the textile for a series of dresses, the ‘do it yourself’ dresses were born. [...]

The Project Vitra - A Realistic Utopia

30 March 2009 No Comments

An interesting interview of Rolf Fehlbaum, chairman of VITRA company, was recently published on deZona and Yatzer couldn't resist republishing it! [...]

The Hybrid objects of Géraldine Husson

30 March 2009 No Comments

Géraldine Husson explores the relationship between the body and the space. The flexible materials used for her products allow movements. Discover her design concept in an exclusive interview for Yatzer. [...]

PING-PONG Dining Table by Hunn Wai for Mein Gallery

29 March 2009 {2} Comments

An official-sized game table with a DuPont™ Corian® surface CNC machine-routed with French Rococo patterns interjected with Ping-pong iconography filled with gold lacquer, supported by stately hand-lathed timber legs. [...]

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Joost van Bleiswijk - No screw no glue

27 March 2009 {1} Comment

With the ‘No screw no glue’ pendulum XL, Joost van Bleiswijk proves that he is in full control of his ‘No screw no glue’ technique. The complete control of this technique, leads to excesses in shape and allows Joost to honour more detailed, ornamental objects, such as the classical pendulum. [...]

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