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A Concept Store in Hangzhou Straddles Artifice and Nature in Reflection of its Hand-Crafted Merchandise

A Concept Store in Hangzhou Straddles Artifice and Nature in Reflection of its Hand-Crafted Merchandise

Toy Storey: Discarded Plastic Toys Find New Life in a Playful House in India

Toy Storey: Discarded Plastic Toys Find New Life in a Playful House in India

Rhinoceros Roma: Alda Fendi and Jean Nouvel’s Renovated Palazzo Celebrates Rome’s Cultural Richness

Rhinoceros Roma: Alda Fendi and Jean Nouvel’s Renovated Palazzo Celebrates Rome’s Cultural Richness

Urban Fabric: Dubai's Gallery Collectional Presents its Inaugural Commissioned Series of Collectible Design

Urban Fabric: Dubai's Gallery Collectional Presents its Inaugural Commissioned Series of Collectible Design

Meat the Fish: Artfully Crafted Interiors Echo the Mediter-Asian Restaurant's Culinary Sensibility

Meat the Fish: Artfully Crafted Interiors Echo the Mediter-Asian Restaurant's Culinary Sensibility

Lara Ögel, houses were rooms, i had forgotten (variation II), 2017. Site-specific installation with closet doors, wooden panels, ceramics, gemstones, grass, metal. Courtesy of the artist. Photo by Paris Tavitian.
 

Jeremy Hutchison, Movables, 2017. Series of 500 x 700 cm billboard prints on PVC. Courtesy of the artist. Photo by Paris Tavitian.

17 June - 22 July, 2017

Driftwood, or how we surfaced through currents

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Conceived by Belgian curator Evelyn Simons (1989) and organised by Fondazione Prada and Qatar Museums, the project explores the movement of people, the circulation of capital, and how these endless flows of motion are organised, systematised, controlled and contested.

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