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The Pilgrm hotel in Paddington, London: A Victorian Venue of Avant-Garde Hospitality

The Pilgrm hotel in Paddington, London: A Victorian Venue of Avant-Garde Hospitality

The Polysemous Femininity of Caroline Walls’ Paintings

The Polysemous Femininity of Caroline Walls’ Paintings

The Art of Camouflage: A Disassembled Vacation House in Monterrey, Mexico

The Art of Camouflage: A Disassembled Vacation House in Monterrey, Mexico

The Buoyant Brutalism of the Oriel Window House in Yokohama, Japan

The Buoyant Brutalism of the Oriel Window House in Yokohama, Japan

Sky Club House's Timeless design of Concrete and Light

Sky Club House's Timeless design of Concrete and Light

Lara Ögel, houses were rooms, i had forgotten (variation II), 2017. Site-specific installation with closet doors, wooden panels, ceramics, gemstones, grass, metal. Courtesy of the artist. Photo by Paris Tavitian.
 

Jeremy Hutchison, Movables, 2017. Series of 500 x 700 cm billboard prints on PVC. Courtesy of the artist. Photo by Paris Tavitian.

17 June - 22 July, 2017

Driftwood, or how we surfaced through currents

Athens, Greece

Conceived by Belgian curator Evelyn Simons (1989) and organised by Fondazione Prada and Qatar Museums, the project explores the movement of people, the circulation of capital, and how these endless flows of motion are organised, systematised, controlled and contested.

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