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The Transformational Aesthetics of DZHUS, an Ethical Brand with a Cutting-Edge View of Fashion

The Transformational Aesthetics of DZHUS, an Ethical Brand with a Cutting-Edge View of Fashion

Hercule House Makes a Bold, Sculptural Statement in Suburban Luxembourg

Hercule House Makes a Bold, Sculptural Statement in Suburban Luxembourg

Caffè Fernanda Echos the Magnificent Renovation of Milan's Pinacoteca di Brera

Caffè Fernanda Echos the Magnificent Renovation of Milan's Pinacoteca di Brera

Reinventing the Glass Box House: Casa Hofmann in Valencia

Reinventing the Glass Box House: Casa Hofmann in Valencia

Modern Vernacular: The Austere Elegance of a Country House Outside Verona

Modern Vernacular: The Austere Elegance of a Country House Outside Verona

Elmgreen & Dragset, Pregnant White Maid, 2017 (detail). Aluminum, stainless steel, lacquer, clothes, 168 x 45 x 66 cm. Courtesy of Galerie Perrotin Photo: Elmar Vestner

  • 77-82 Whitechapel High St, London E1 1FE, UK

  • Whitechapel Gallery

  • £12.95 / Concessions £9.50

  • Tue–Sun 11 a.m.–6 p.m.

  • +44 (0)20 7522 7888

27 September, 2018 - 13 January, 2019

This Is How We Bite Our Tongue

London, United Kingdom

The exhibition juxtaposes a survey of artist duo Michael Elmgreen & Ingar Dragset's emotional figurative sculptures with an extraordinary new large-scale installation that meditates on the fate of civic space.

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