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The Imperfect Residence: An Apartment in Hong Kong Embraces the Beauty of Imperfection

The Imperfect Residence: An Apartment in Hong Kong Embraces the Beauty of Imperfection

Ewelina Makosa & Jan Garncarek's Berlin Studio Revels in its Industrial Heritage

Ewelina Makosa & Jan Garncarek's Berlin Studio Revels in its Industrial Heritage

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Sweden's Fotografiska Storms New York's Culture Scene with Six Photography Exhibitions & an Enchanting New Restaurant

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Pavel Míček Architects Design a Modern Mountain Cabin in the Czech Republic

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Fosbury & Sons Transform a Landmark Building in Amsterdam into Contemporary Coworking Spaces

Installation View: The Fullness of Color; December 18, 2019–August 2020. Solomon R. Guggenheim Museum, New York. Photo: David Heald, © Solomon R. Guggenheim Foundation

Jules Olitski, Lysander-1, 1970. Acrylic on canvas. Solomon R. Guggenheim Museum, New York.
© Estate of Jules Olitski/Licensed by VAGA at Artists Rights Society (ARS), New York

Alma Thomas, Cherry Blossom Symphony, 1972. Acrylic on canvas. Collection of halley k harrisburg and Michael Rosenfeld, New York. Courtesy of Michael Rosenfeld Gallery LLC, New York, NY

Kenneth Noland, Trans Shift, 1964. Acrylic on canvas. Solomon R. Guggenheim Museum, New York. © 2019 The Kenneth Noland  Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY

  • 1071 5th Ave, New York, NY 10128, USA

  • Solomon R. Guggenheim Museum

  • $25

  • Mon, Wed–Fri 10 am–5:30 pm, Tue & Sat 10 am–8 pm,

  • +1 212-423-3500

18 November, 2019 - 02 August, 2020

The Fullness of Color: 1960s Painting

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The exhibition showcases several of the varied and complex courses nonrepresentational art followed in the 1960s and into the 1970s with artists such as Morris Louis, Kenneth Noland, and Jules Olitski pushing abstraction in new directions.

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