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From Aspiring Teenage Designer to MASSPRODUCTIONS Co-Founder: Chris Martin's Ascent in Five Designs

From Aspiring Teenage Designer to MASSPRODUCTIONS Co-Founder: Chris Martin's Ascent in Five Designs

A Concrete Bungalow on Mexico's Pacific Coast Revels in the Local Vernacular

A Concrete Bungalow on Mexico's Pacific Coast Revels in the Local Vernacular

Balbek Bureau Embraces the Beauty of Imperfection to Upend the Conventional Typology of Beauty Salons

Balbek Bureau Embraces the Beauty of Imperfection to Upend the Conventional Typology of Beauty Salons

Porky Hefer Finds Inspiration in Bird Nests for his Immersive Desert Retreat in Namibia

Porky Hefer Finds Inspiration in Bird Nests for his Immersive Desert Retreat in Namibia

 An Equestrian Facility in Ukraine Marries Vernacular and Industrial References with Contemporary Elegance

An Equestrian Facility in Ukraine Marries Vernacular and Industrial References with Contemporary Elegance

Installation View: The Fullness of Color; December 18, 2019–August 2020. Solomon R. Guggenheim Museum, New York. Photo: David Heald, © Solomon R. Guggenheim Foundation

Jules Olitski, Lysander-1, 1970. Acrylic on canvas. Solomon R. Guggenheim Museum, New York.
© Estate of Jules Olitski/Licensed by VAGA at Artists Rights Society (ARS), New York

Alma Thomas, Cherry Blossom Symphony, 1972. Acrylic on canvas. Collection of halley k harrisburg and Michael Rosenfeld, New York. Courtesy of Michael Rosenfeld Gallery LLC, New York, NY

Kenneth Noland, Trans Shift, 1964. Acrylic on canvas. Solomon R. Guggenheim Museum, New York. © 2019 The Kenneth Noland  Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY

  • 1071 5th Ave, New York, NY 10128, USA

  • Solomon R. Guggenheim Museum

  • $25

  • Mon, Wed–Fri 10 am–5:30 pm, Tue & Sat 10 am–8 pm,

  • +1 212-423-3500

18 November, 2019 - 02 August, 2020

The Fullness of Color: 1960s Painting

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The exhibition showcases several of the varied and complex courses nonrepresentational art followed in the 1960s and into the 1970s with artists such as Morris Louis, Kenneth Noland, and Jules Olitski pushing abstraction in new directions.

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