Skip to main content
WHITE Hotel in the Azores Gets a Makeover Inspired by the Archipelago’s Volcanic Landscape

WHITE Hotel in the Azores Gets a Makeover Inspired by the Archipelago’s Volcanic Landscape

Mark Foster Gage Reinvents the Architectural Monogram with a Fantastical Desert Retreat in Saudi Arabia

Mark Foster Gage Reinvents the Architectural Monogram with a Fantastical Desert Retreat in Saudi Arabia

An Abandoned Stone-Built Hut in Rural Mallorca Finds New Life as an Off-Grid Retreat

An Abandoned Stone-Built Hut in Rural Mallorca Finds New Life as an Off-Grid Retreat

A Compact Café in Shenyang, China, Revels in Minimalist Soulfulness

A Compact Café in Shenyang, China, Revels in Minimalist Soulfulness

Kandinsky’s Art Theories Guide Holloway Li's Low-Impact Transformation of a Munich Office Building into a Lifestyle Aparthotel

Kandinsky’s Art Theories Guide Holloway Li's Low-Impact Transformation of a Munich Office Building into a Lifestyle Aparthotel

Glenn Ligon, Stranger #44, 2011. oil, charcoal and graphite on canvas. 183.5 x 152.7 cm. Courtesy of the artist.

  • Bahnhofstrasse 1, 8001 Zürich, Switzerland

  • Hauser & Wirth Zurich

  • Free

  • Tue–Sat 10 a.m.–6 p.m.

  • +41 43 547 18 99

17 September - 23 December, 2021

Glenn Ligon: First Contact

,

American artist Glenn Ligon debuts a large-scale diptych from his Stranger series, which first began in 1997 and renders excerpts from James Baldwin’s 1953 essay, ‘Stranger in the Village’.

More Details

Adult Content

This post contains adult material and may not be suitable for people under legal age.