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Architecture, Music and Dance Meet in Mariana Bisti’s Lyrical Short Film Showcasing Aristides Dallas’ Tinos Retreat

Architecture, Music and Dance Meet in Mariana Bisti’s Lyrical Short Film Showcasing Aristides Dallas’ Tinos Retreat

From Aspiring Teenage Designer to MASSPRODUCTIONS Co-Founder: Chris Martin's Ascent in Five Designs

From Aspiring Teenage Designer to MASSPRODUCTIONS Co-Founder: Chris Martin's Ascent in Five Designs

A Concrete Bungalow on Mexico's Pacific Coast Revels in the Local Vernacular

A Concrete Bungalow on Mexico's Pacific Coast Revels in the Local Vernacular

Balbek Bureau Embraces the Beauty of Imperfection to Upend the Conventional Typology of Beauty Salons

Balbek Bureau Embraces the Beauty of Imperfection to Upend the Conventional Typology of Beauty Salons

Porky Hefer Finds Inspiration in Bird Nests for his Immersive Desert Retreat in Namibia

Porky Hefer Finds Inspiration in Bird Nests for his Immersive Desert Retreat in Namibia

Judy Chicago, Through the Flower 2", 1973. Sprayed acrylic on canvas. Collection of Diane Gelon. © Judy Chicago / Artists Rights Society (ARS), New York. Photograph © Donald Woodman / ARS, New York Image provided courtesy of the Fine Arts Museums of San Francisco

Judy Chicago, Immolation, from the series Women and Smoke, 1972. Fireworks performance; performed in California desert. Courtesy of the artist; Salon 94, New York; and Jessica Silverman Gallery, San Francisco. © Judy Chicago / Artists Rights Society (ARS), New York. Photograph courtesy of Through the Flower Archives Image provided courtesy of the Fine Arts Museums of San Francisco

  • 50 Hagiwara Tea Garden Dr, San Francisco, CA 94118, USA

  • de Young Museum

  • $15

  • Tue–Sun 9:30 a.m.–5:15 p.m.

  • +1 415 750 3600

09 May - 05 September, 2020

Judy Chicago: A Retrospective

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A retrospective of pioneering feminist artist Judy Chicago presenting 150 works and related archival material that chart the boundary-pushing path of her career from the 1960s to her current body of work, begun in 2015.

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