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The Alchemical Talent of Omer Arbel is in Full Display at Carwan Gallery's New Athenian Home

The Alchemical Talent of Omer Arbel is in Full Display at Carwan Gallery's New Athenian Home

The Eclectic Extravagance of Designer Tommaso Spinzi’s Milanese Studio

The Eclectic Extravagance of Designer Tommaso Spinzi’s Milanese Studio

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The Unabashed Modernism of Beach House Neratza

Mateus Presents Stripes: A Soulful Tableware Collection to Jazz Up Your Daily Routines

Mateus Presents Stripes: A Soulful Tableware Collection to Jazz Up Your Daily Routines

The Art of Anish Kapoor Meets the Stately Grandeur of Houghton Hall

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Petrina Hicks, Emily the strange, 2011, from the Beautiful Creatures series. Pigment inkjet print. Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne

Petrina Hicks, Bruised peaches, 2018, from the Still Life Studio series. Pigment inkjet print. National Gallery of Victoria, Melbourne. Purchased, Victorian Foundation for Living Australian Artists, 2018 © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne

Petrina Hicks, Fertile, 2010, from the Every Rose has its Thorn series. Pigment inkjet print. Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne

Petrina Hicks, Shenae and Jade, 2005, from Untitled series. Pigment inkjet print. Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne

  • Swanston St & Flinders St, Melbourne VIC 3000, Australia

  • The Ian Potter Centre - NGV Australia

  • Free

  • Daily 10 a.m.–5 p.m.

  • +61 3 8620 2222

27 September, 2019 - 29 March, 2020

Petrina Hicks: Bleached Gothic

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The first major exhibition of celebrated Australian photographer Petrina Hicks whose shimmering and often hyperreal compositions convey the inherent ambiguity and complexity of the female experience. 

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