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Take Me to Church: Fotografiska's Chapel Bar in New York Opens its Doors to a Congregation of Bon Vivants and Culturati

Take Me to Church: Fotografiska's Chapel Bar in New York Opens its Doors to a Congregation of Bon Vivants and Culturati

Szymon Keller Applies a Beach-Inspired Sculptural Design Language to a Barcelona Apartment

Szymon Keller Applies a Beach-Inspired Sculptural Design Language to a Barcelona Apartment

Sella Concept Whimsically Channels Sister Jane's Retro Glamour in the Fashion Brand's Notting Hill Townhouse

Sella Concept Whimsically Channels Sister Jane's Retro Glamour in the Fashion Brand's Notting Hill Townhouse

Hailey House: Anthony Barsoumian Revamps a Richard Neutra Gem in Los Angeles with Eclectic Gusto

Hailey House: Anthony Barsoumian Revamps a Richard Neutra Gem in Los Angeles with Eclectic Gusto

Textile Ruins: Sergio Roger’s Subversive Tribute to Classical Sculpture-Making

Textile Ruins: Sergio Roger’s Subversive Tribute to Classical Sculpture-Making

Artist

Matthew Simmonds

About

British sculptοr Matthew Simmonds was born in 1963. In 1999 he received international recognition as sculptor, after winning the first prize at the Verona International Sculpture Symposium.

Nationality

English

Matthew Simmonds

British sculptοr Matthew Simmonds was born in 1963. In 1999 he received international recognition as sculptor, after winning the first prize at the Verona International Sculpture Symposium. Simmonds has since then been warranting the honor through several prizes awarded to him and participating in various international sculpture symposiums, in Italy and beyond. He has exhibited in Italy, China and the USA. What has been an early childhood fascination - stone buildings - is still present in his artwork. Influenced by medieval architecture, Simmonds achieves to give a new perspective of life through and within the space that the viewer's eye can imagine. The past and the present coexist in harmony in his work, providing the viewer with a sense of 'voyage' through one's eyes and the tranquility of a breathing marble, opening up like a spacious place in order for the viewer to rest.

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