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A wider view of Bleu’s communal dining area reveals the interplay of Californian mid-century modernism and Nordic restraint. Walnut-clad walls, terracotta flooring and bespoke wooden furniture establish a warm, earthy palette, while a tiered Japanese-paper pendant and large-scale artworks provide visual interest. Floor-to-ceiling windows open the space towards Brussels’ tree-lined Avenue Louise.

Bleu Is the Warmest Colour: A Brussels Café with Californian Soul

Coffee or Tea?

A Victorian Terrace House in London Sidesteps Convention to Double as a Private Art Gallery
- Soulful Dwellings
Villa 2030: Studio Plutarco Reworks the Great Modernist Villas in a Madrid Apartment
- Soulful Dwellings
PAROS: Platon Pays Tribute to the Cycladic Island of His Childhood
- Page-turners
Potato Head’s New Bali Store by OMA Brings Together Craft, Circularity and Innovation
- The Art of Retail
Castel Badia Brings Contemporary Alpine Hospitality to a Medieval Landmark in South Tyrol
- Memorable Stays
Thessaloniki City Guide
- Travel Guides

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A Victorian Terrace House in London Sidesteps Convention to Double as a Private Art Gallery

The guest bedroom’s headboard wall becomes an exuberant salon-style display of paintings, photographs, drawings, masks and small objects, all set against a muted terracotta ground. Striped bedding and ochre cushions keep the foreground restrained, while the adjacent glass-block wall admits diffuse light and reinforces the room’s layered, collected atmosphere.

Villa 2030: Studio Plutarco Reworks the Great Modernist Villas in a Madrid Apartment

An extreme close-up portrait of an older man with tousled grey hair, bushy eyebrows and a thick white moustache, looking directly into the camera with a faint, mischievous smile. Platon’s high-contrast black-and-white photography accentuates every wrinkle and weathered feature, transforming the expressive face into an intricate landscape of lines, textures and shadows.

PAROS: Platon Pays Tribute to the Cycladic Island of His Childhood

Nestled beneath the elevated structure of OMA House, the Good Times General Store’s timber-clad entrance contrasts with the rugged thatched volumes on either side. A patterned lattice ceiling, cylindrical columns and dark entrance steps articulate the sheltered forecourt, while the pinkish concrete structure and decorative masonry screen above reveal the building’s layered architectural composition.

Potato Head’s New Bali Store by OMA Brings Together Craft, Circularity and Innovation

In summer, the former Abbess's Hall at Castel Badia sits beneath its Gothic net vault, its twin-arched stone windows framing green meadows and a distant hilltop castle. A rug patterned with the hotel's cross emblem anchors cream sofas, cross-embroidered tub chairs, burnt-orange velvet armchairs and terracotta lamps in a symmetrical arrangement.

Castel Badia Brings Contemporary Alpine Hospitality to a Medieval Landmark in South Tyrol

Cover image for Yatzer’s Thessaloniki City Guide, featuring the historic White Tower framed by closely packed urban buildings and shadowed balconies. Warm late-afternoon light illuminates the medieval stone landmark, while bold white typography spelling “THESSALONIKI City Guide” overlays the photograph.

Thessaloniki City Guide

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