The lower level of Lève Office Bar in Turin by Fabio Fantolino, seen through the gridded mirror ceiling that fragments and multiplies the interior into a kaleidoscopic field of warm wood, amber light and gathered bronze leather. The continuous wall banquette, Mart Stam S33 chairs and green resin floor are reflected across smoked mirror panels, dissolving the room's boundaries with characteristic 1960s spatial theatricality.

Fabio Fantolino Reimagines the 1960s Workplace as a Turin Cocktail Bar

Bar Aesthetics

Wiercinski Studio's Thoughtful Restoration of a 1930s Villa in Poznań
- Soulful Dwellings
Minimal Legends at the Vincenzo De Cotiis Foundation Brings Minimalism’s Leading Voices to Venice
- Art and Culture
Off-Grid and Fire-Ready: A Corten-Clad House in the California Mountains by Faulkner Architects
- Architecture Matters
Caffè Nazionale Boldly Layers Past and Present Within Arzignano’s 19th-Century Town Hall
- Coffee or Tea?
Conrad Athens The Ilisian: The Layered Reinvention of an Athenian Icon
- Memorable Stays
A Decade of Design Takes Shape at Studioboom's New Gallery in Milan
- Beautiful Things

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The kitchen of P81 House photographed from the entrance, its circular Strzegom granite island and suspended linen canopy emerging from a corridor of floor-length white curtains. The dramatically patinated plaster wall beyond — ochre, terracotta, and ash layered over decades — reads almost like a fresco, softening the precision of the stainless steel cabinetry below.

Wiercinski Studio's Thoughtful Restoration of a 1930s Villa in Poznań

The corner of a Venetian dining room displays a tactile interplay of surfaces: a rough, metallic wall sculpture by Vincenzo De Cotiis hangs above a sleek Verde Alpi marble table. Exposed brickwork meets refined marble paneling, while Donald Judd’s wall-mounted boxes reflect the exhibition’s "Minimal Legends" theme of raw-meets-refined.

Minimal Legends at the Vincenzo De Cotiis Foundation Brings Minimalism’s Leading Voices to Venice

The entry porch of Pine Flat Residence at golden hour, where corrugated Corten panels glow in deep amber light and concrete steps with a steel handrail lead up to the covered outdoor dining area. Built-in concrete benches, a timber-lined soffit overhead, and the folding solar shading panels beyond compose an arrival sequence of concentrated material richness.

Off-Grid and Fire-Ready: A Corten-Clad House in the California Mountains by Faulkner Architects

The full length of the main hall at Caffè Nazionale, Arzignano, by AMAA. A grand ornamental stone doorcase with relief decoration dominates the far wall, set against raw peeling plaster. The coffered plywood ceiling, long central bench, round café tables and mixed vintage seating establish the project's characteristic tension between historic grandeur and contemporary restraint.

Caffè Nazionale Boldly Layers Past and Present Within Arzignano’s 19th-Century Town Hall

A wider urban view situates the building within Athens, with the Acropolis rising in the distance. The contrast between the hotel’s ordered façade and the layered cityscape underscores its presence within the evolving urban fabric.

Conrad Athens The Ilisian: The Layered Reinvention of an Athenian Icon

Looking across the upper level of Studioboom's Milan gallery, steel tables catch the ambient light while a white mesh-panel balustrade frames the void below, where the curved chocolate leather sofa is glimpsed in the distance. The composition reads like a sectional diagram of the studio's aesthetic: reflective surfaces, raw structure, calibrated restraint.

A Decade of Design Takes Shape at Studioboom's New Gallery in Milan

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