Colour and materiality also play a crucial role in bridging the property’s historic character with the scheme’s modern sensibility. Drawing from pastoral and folk references intrinsic to Gunia’s visual language, a dreamy palette of forest and sage greens, powdery blues, pale pinks, and muted beige washes gently across tiled walls, upholstered seating, and built-in plinths. These hues, meant to temper the weight of mahogany with an almost garden-like freshness, produces an effect that is neither nostalgic nor starkly modern, but quietly atmospheric, immersing visitors in a space that feels at once intimate and composed.

Ceramics, central to Gunia Project’s identity, extend beyond the role of exhibited objects to become an architectural material in their own right. Glossy, hand-laid tiles clad walls and counters, introducing a tactile rhythm that contrasts with the smoothness of metal and glass used elsewhere. Carpeted floors further soften the experience, absorbing sound and grounding the visitor in a sense of domestic intimacy, while fabric-clad light fittings, including contemporary pendants, add a gentle sculptural presence overhead.

Furniture and bespoke elements continue the conversation between old and new. Custom-designed wooden pieces reference traditional Ukrainian carving through simplified silhouettes, while contemporary works by local studios subtly anchor the interior in today’s design landscape. Even the mirrors participate in this dialogue: ranging from frameless minimal designs to pieces with ornate or whimsically carved frames, offering visitors Instagram-ready vantage points without tipping into spectacle.

The spatial organisation provides a reinforcement to the sense of considered flow. At the heart of the showroom lies a reception-cum-lounge around which three distinct zones dedicated to ceramics, jewellery, and clothing are arranged, each with its own mood yet unified by material continuity. Animated by a forest-green ceramic wall, the lounge also incorporates a children’s corner and a softly articulated green-painted alcove housing the checkout counter.

The ceramics hall is anchored by a central constellation of display plinths integrated with a built-in sofa, encouraging visitors to engage with the pieces at a slower pace. The clothing hall, the largest of the three, is likewise centred around a seating area, this time delineated by a circular carpet motif and crowned by a bespoke illuminated disc. From here, a discreet passage concealed within one of the original cabinets leads to a private fitting room, a small but telling architectural gesture that transforms preservation into spatial surprise.

Through its measured interplay of material, colour, and form, Gunia Project’s showroom thoughtfully balances contemporary clarity with historic ornamentation. The result is a space that resolutely mirrors the brand’s own philosophy, one that is deeply grounded and quietly progressive, but confident enough to let past and present coexist without any hierarchy.