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Studio Élémentaires' Kinetic Light Objects Reveal the Fictional Part of Reality

Studio Élémentaires' Kinetic Light Objects Reveal the Fictional Part of Reality

Flos at Palazzo Visconti: Past Meets Present in a Dazzling Installation during Milan Design Week 2024

Flos at Palazzo Visconti: Past Meets Present in a Dazzling Installation during Milan Design Week 2024

Loro Piana Interiors Pays Tribute to Cini Boeri’s Enduring Legacy at Milan Design Week 2024

Loro Piana Interiors Pays Tribute to Cini Boeri’s Enduring Legacy at Milan Design Week 2024

Plastique Fantastique: Dwelling in Bubbles

Plastique Fantastique: Dwelling in Bubbles

1970s-Inspired Colours and Forms Animate the Industrial Offices of a London Advertising Agency

1970s-Inspired Colours and Forms Animate the Industrial Offices of a London Advertising Agency

Artist

Maurizio Nannucci

About

Maurizio Nannucci (Florence, 1939) is a leading Italian multidisciplinary artist and editor.

Nationality

Italian

Maurizio Nannucci

Maurizio Nannucci (Florence, 1939) is a leading Italian multidisciplinary artist and editor. Since the mid-1960s he has explored the complex relations between art, language and image, creating original conceptual proposals characterised by the use of a variety of media: neon, photography, video, sound, artists’ editions and books. His first neon texts date from 1967: these bring to his work a more varied dimension of meanings and a new perception of space. The artist has always been interested in the relationships between the artwork, architecture and the urban landscape, thereby creating the premises for an integration between environment, language, colour and light, the core elements of his work. Since the 1990s, Nannucci has collaborated with Renzo Piano as well as other architects such as Massimiliano Fuksas, Mario Botta, Nicolas Grimshaw, and Stephan Braunfels. The artist has participated several times in the Venice Biennale, as well as in Documenta Kassel and the Biennials of São Paulo, Sydney, and Istanbul; his work has been exhibited in major museums and art galleries across the world.

“Nannucci’s ‘grammar’ and ‘syntax’ have created a truly new, unique and recognisable language with its own rules and possibilities. Its meanings are enriched by each specific context, by the relations established, by the sensations stimulated, by the messages transmitted and by all other possibilities of meaning we are able to project upon them.” - Bartolomeo Pietromarchi

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