Unknown Works Turns a Victorian Storehouse in London into a Futuristic, Sonic-Led Hair Salon
Words by Eric David
Location
London, UK
Unknown Works Turns a Victorian Storehouse in London into a Futuristic, Sonic-Led Hair Salon
Words by Eric David
London, UK
London, UK
Location
In an era when online retail has forced brick-and-mortar businesses to reinvent themselves through immersive, design-driven experiences, hair salons have had little incentive to evolve. You can buy fashion digitally, consult a doctor through an app, wander a gallery in VR, but no one can cut, dye or blow-dry your hair online. Hairdressing has thus remained insulated from the existential pressure to “change or die.” With no digital disruption to contend with, many salons have been content to compete on Instagram-conscious aesthetics, typically retro glamour or industrial chic. What remains rare are salons that treat space not as a photogenic backdrop but as an experience in its own right. Salt Salon Borough Market, the second outpost of the London-based hairdressing salon SALT, is one of them.
Conceived by founder and former electronic music producer John Paul Scott and brought to life by London creative studio Unknown Works, the three-storey salon doubles as a listening space and events venue, immersing clients in a futuristic environment that defies categorisation. “I wanted to do something that would almost shock people—but which put SALT Salon on the map,” Scott explains. Featuring a bespoke sound system and acoustically informed furniture, the space elevates haircare into a multisensory, socially attuned ritual.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.
The salon takes over the top three floors of a four-storey Grade II-listed Victorian storehouse next to Borough Market. Stepping inside feels a little like entering a portal, with the urban bustle giving way to a serene, otherworldly ambience thanks to Unknown Works’ innovative scheme. Underpinned by a monochromatic palette of galvanised metal, mirrors and chalk-white surfaces, the interiors boldly fuse a high-tech, industrial-inflected design language with a minimalist ethos. Overtly subdued yet highly sculptural, each floor collapses the distinction between architecture, furniture and infrastructure, allowing the sonic environment, which shifts throughout the day from ambient calm to high-fidelity intensity, to become part of the spatial choreography rather than a backdrop to it.
Christened the Listening Room, the first level establishes the project’s high-concept mission. Housing the salon’s reception and several hairstyling stations, the space also features a lounge that transforms at night into a venue for performances, talks and listening events. Anchoring this area is a galvanised-steel sound wall developed with hi-fi start-up Friendly Pressure. Part sculptural installation, part high-fidelity sonic system, the modular structure is fabricated from salvaged metal from the V&A Blythe House archives using roboforming, a low-energy digital fabrication process that incrementally shapes metal through repeated robotic pressure rather than stamping or casting. The method produces subtle ripples, dimples and stretched surfaces, giving the wall an uncanny appearance of sound waves frozen in steel.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.
Up one level, the Cutting Floor sharpens the space’s formal vocabulary. A continuous stainless-steel mirror stretches the full length of the room, transitioning from mottled opacity to high-polish clarity where the workstations are located. Mirrored partitions and translucent silicone screens divide work and staff zones without disrupting openness, suspended Friendly Pressure Pickney loudspeakers add to the room’s sensory theatre while a walkable slab of translucent glass in the centre offers patrons on the level below blurry glimpses of the foot traffic above.
On the third level, the Colour Floor shifts in tempo. Bisecting the space, a mirrored workstation is suspended from the roof’s timber rafters, which, along with steel floor trusses and sash windows, subtly foreground the building’s heritage. Lined with styling chairs on both sides, this configuration creates two intimate zones, more suited to colouring appointments that often last hours, without sacrificing the immersive aesthetic of the lower floors. Though monochromatic like the rest of the interior, this area will gradually gain a colourful patina as a result of the pale cement floor which has intentionally been left exposed, absorbing the various hues of hair dyes over time.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.

Photography by Henry Woide.
Across all three levels, acoustics have shaped the interior as much as aesthetics. The use of metal volumes have been formed to diffuse rather than amplify harsh frequencies; soft, modular seating made from recycled foam in the lounge absorbs low frequencies, while angled walls serve to prevent echo. As Ben Hayes of Unknown Works notes, “Every element, from the bespoke loudspeakers to the acoustic furniture, has been precisely tuned to create an entirely new salon experience. It's a fundamental rethinking of what these spaces can be.” That same ambition picks up where founder John Paul Scott’s ethos began, treating the salon not merely as a workplace but as a cultural and social space that cares for people as much as it styles them.
In an industry largely untouched by the experiential arms race triggered by digital life, Salt Salon Borough Market proposes something that is genuinely new: a typology where haircare, architecture and sound converge into a single sensory ritual. A place where you want to stay, listen, gather, and return not just for the services, but for the overall atmosphere the salon emits.

Photography by Henry Woide.










