
Valari Studio’s Minimalist Transformation of a 19th-Century Palazzo in Puglia
Words by Yatzer
Location
Lequile, Puglia, Italy
Valari Studio’s Minimalist Transformation of a 19th-Century Palazzo in Puglia
Words by Yatzer
Lequile, Puglia, Italy
Lequile, Puglia, Italy
Location
In the historic centre of Lequile, a small Baroque town in Italy’s Puglia region, Villa di Luce occupies a discreet mid-19th-century palazzo that reveals little of its transformation from the street. Behind its restrained limestone façade, the residence unfolds as a carefully orchestrated sequence of vaulted rooms, courtyards and gardens, reimagined by local practice Valari Studio as a contemporary holiday retreat that balances architectural heritage with a radically pared-back design language.
The project began with a structure that had fallen into serious disrepair. Years of neglect had obscured many of its original features, including terrazzo floors and decorative details hidden beneath layers of dust and patina. Instead of a dramatic reinvention, Valari Studio’s founders, Federica Russo and Nicolò Lewanski, approached the renovation as a process of gradual uncovering, restoring the building’s intrinsic character while introducing a contemporary vocabulary that remains deliberately restrained.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.
At the heart of the design lies a dialogue between past and present. The palazzo’s defining architectural elements, namely its sequence of interconnected rooms and the majestic star-shaped vaults typical of Apulian architecture, have been preserved and emphasised rather than concealed, their sculptural forms establishing a powerful spatial rhythm throughout the interiors. Against this historic backdrop, the new design language is intentionally subdued: surfaces are rendered in soft lime plaster and quiet neutral tones, creating a calm atmosphere that highlights the textures of stone, terrazzo and aged masonry. Where new elements are introduced, they adhere to a crisp, minimalist design language that quietly converses with the building’s original fabric rather than compete with it.
Throughout, historic flooring, including poured terrazzo and patterned cement tiles, has been carefully restored, while newly added elements employ similarly tactile materials. Monolithic concrete and travertine sinks, brass fittings, glass partitions and custom steel furnishings are inserted with a precise, almost surgical restraint. The resulting aesthetic is one of quiet contrasts where historic surfaces bear the marks of time, now juxtaposed with crisp contemporary interventions.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.
The dining room forms the social heart of the residence, anchoring the layout and acting as a gathering point for guests. Here, the solidity of ancient stone walls meets contemporary furniture in a balanced material dialogue. A large custom table occupies the centre of the room, around which Pelleossa chairs by Miniforms echo the villa’s warm palette of ivory, terracotta and natural timber. From this central space, the kitchen, living room and bar unfold in a fluid sequence of interconnected environments, each room defined by its own vaulted ceiling and framed views of greenery beyond.
In the kitchen, a stainless-steel island introduces a strikingly modern presence beneath the historic vaults, its reflective surface accentuating the play of natural light that filters through tall arched openings. The same applies to the stainless-steel bar counter which is paired with a similarly minimalist steel shelving unit and voluptuous lounge chairs. Upholstered in velvet, the latter introduce burnt orange accents that subtly animate the otherwise neutral palette, as does the cubic modular sofa by Audo Copenhagen in the living room, upholstered in a deep green hue.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.
Among the villa’s most evocative spaces is the so-called garden room, created within what may once have been a private chapel. Beneath a painted vaulted ceiling, the floor has been partially excavated and filled with gravel to form a sunken lounge scattered with cushions and potted plants. The space blurs the boundary between interior and garden, to create a quiet retreat that feels both contemplative and informal.
Designed as calm, uncluttered environments, the villa’s four bedrooms combine minimal furnishings with warm natural materials. In the main suite, the connection between architecture and landscape becomes particularly tactile in the form of a private patio that functions as an open-air bathroom where a terracotta bathtub and brass-arched shower sit beneath the sky.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.
The private patio is part of a series of outdoor areas that expand the experience dramatically. From the entrance courtyard lined with exotic plants to the expansive pool terrace, featuring shaded lounging areas and lush planting, guests find themselves in an unexpected oasis within the dense fabric of the town.
By allowing the historic architecture to remain legible while introducing a rigorously minimalist design language, Valari Studio has created a residence where old and new coexist with remarkable clarity. Available to rent through The Collectionist, the home that feels simultaneously rooted in its past and unmistakably contemporary in an architectural palimpsest shaped by both preservation and reinvention.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.

Photography by Alex Reyto.














