The "Perspective and Matter" exhibition by Luso Collective transforms a raw, industrial space into a gallery for contemporary furniture. An array of minimalist designs in various materials like wood, metal, and stone are artfully arranged amidst the decaying concrete walls and exposed timber beams, creating a dramatic interplay between raw architecture and refined objects.

Lisbon Design Week 2025: A City Reclaims Its Creative Pulse

Words by Paola Carimati

Lisbon, Portugal

The story of the third edition of Lisbon Design Week (May 28 – Jun 1, 2025) begins with a mapping of works by a small creative community, steadfastly rooted in local cultural identity. Without rhetoric or nostalgia, the collections, impulses, and experiments on display form an international landscape open to cross-cultural exchange. Thanks to the urban redevelopment plan which launched in 2007 by the then-socialist government—a plan that continues to resist the more dystopian aspects of urban regeneration—design has become a guiding light in Lisbon’s path to renewal. And with it, a rhythm to a new kind of harmony that unfolds on a human scale.

This renewed urban landscape has created fertile ground for a broader cultural shift. Portugal is a land of emerging talents navigating an international system that often feels saturated, standardized, and creatively fatigued. Focusing on local and marginal perspectives with fresh attention allows us to detect the strength of subtle signals. When nurtured, these signals have the potential to flourish and resonate. Championing these narratives bestows dignity on a slower, more intentional way of life, one we often idealize, sometimes excessively. Without romanticizing, this is the story of a generation working with purpose, grounded in a culture where the local and the global reflect one another. This transformation is exemplified by the international designers who have made Lisbon their home.

A compact, terracotta-colored program guide for Lisbon Design Week 2025 is prominently displayed on a light-colored surface. The cover, featuring clean typography, states "LISBON DESIGN Week" and "MAY/MAIO 28 JUNE/JUNHO 01 2025," signaling an event focused on contemporary design.

Lisbon Design Week 2025 guide. Courtesy Lisbon Design Week.

An evocative scene from the "Perspective and Matter" exhibition by Luso Collective, set within a grand, raw industrial archway. Various contemporary furniture pieces, including a metal and stone bench, a wooden stool, and a sculptural chair, are strategically placed amidst the decaying concrete and stone walls, highlighting a brutalist influence and the beauty of natural materials.

Installation view, "Perspective & Matter" curated by Luso Collective. Photography by Irina Boersma Machado.

A close-up of decorative, tactile ceramic vases displayed on a window ledge, likely from the JAM Hotel during Lisbon Design Week. Three sculptural vessels in vibrant yellow, coral, and blue feature repetitive, organic textures and attached relief elements, highlighting a handcrafted, modern aesthetic. Natural light from a large window illuminates their rich, matte surfaces

BOTANISTA sponge sculptures by Margarida Lopes Pereira. Installation view at JAM Lisbon. Photography by Sirence Studios.

A highly textured, off-white ceramic sculpture by Carlos Manuel Gonçalves features a stylized human face with closed eyes, a prominent nose, and an elaborate beard. Below the head, a wide, ruffled collar with intricate loop patterns forms the base. The raw, almost unfinished aesthetic, set against a subtly textured white wall, gives the piece an ancient, artisanal quality.

Baile de Máscaras collection of ceramic masks by Carlos Manuel Gonçalves. Installation view at his studio in Ajuda neighborhood. Photography by André Rosa.

A testament to Lisbon's growing reputation as a hub for creative exchange, the city has been attracting international designers such as Noé Duchaufour-Lawrance and Emmanuel Babled, both of whom have opened their studios and galleries in the city. During Lisbon Design Week, Duchaufour-Lawrance’s Made in Situ gallery presented Xisto, a tribute to the eponymous schist stone that shapes the landscape and identity of northeastern Portugal's Foz Coa, home to two UNESCO World Heritage sites: namely, the Coa Valley's Prehistoric Rock Art Sites and the Douro Wine region.

Meanwhile, Babled's Prime Matter gallery presented Kukua, a contextual installation that reimagined a coffee shop using handcrafted objects designed in partnership with Tanzanian artisan collectives, notably WomenCraft—a network of 600 women across 20 villages located near the borders of Rwanda and Burundi. Each design is adapted to local production capabilities, ensuring sustainability and honouring the tacit knowledge of these craftspeople

  • A seating vignette within the "Kukua" exhibition at Prime Matter Gallery, featuring an eclectic mix of natural materials. Two light-toned rattan chairs with cream cushions frame a circular woven coffee table. Overhead, two unique pendant lights, one with a fringed straw shade and another with a woven, sculptural form, cast warm light on the stone walls and concrete floor, creating an inviting, artisanal ambiance.

    Installation view, "Kukua" exhibition at Prime Matter gallery. Photography by Babled Studio.

  • A corner of the "Kukua" exhibition at Prime Matter Gallery features a cozy natural rattan bistro set with a circular table and two chairs. Above, a sculptural woven pendant light illuminates a wall adorned with documentary-style photographs depicting people and craftsmanship. Adjacent information panels provide context, all set against ancient stone walls, merging contemporary design with cultural narrative.

    Installation view, "Kukua" exhibition at Prime Matter gallery. Photography by Babled Studio.

The "Kukua" exhibition at Prime Matter Gallery, presented during Lisbon Design Week, showcases a vibrant, bohemian-inspired seating area within an historic space. A low-slung wooden sofa with striped green and blue cushions is surrounded by natural fiber stools and round woven rugs. Exposed brick arches and stone columns frame walls adorned with diverse ethnographic photographs, creating an immersive, culturally rich atmosphere.

Installation view, "Kukua" exhibition at Prime Matter gallery. Photography by Babled Studio.

  • A close-up of a vibrant woven artwork from the "Crafting with AI" exhibition at Estrela 74. Interlocking, large-scale, sinuous forms crafted from straw or wicker feature intricate weaving with accents of blue, red, and yellow threads. The organic shapes and rich textures are set against a partially painted, raw teal and white wall, highlighting its artisanal quality.

    ÁGUA series by textile designer Maria Pratas. Installation view, "Crafting with AI" at Estrela 74 by MOVART. Photography by André Matos.

  • A wall-mounted art piece from the "Crafting with AI" exhibition at Estrela 74 features an array of wooden, elongated bobbin-like forms. They are neatly arranged on a vibrant red, open-weave textile, which is draped over a white, cylindrical cushion. The installation emphasizes traditional craftsmanship merged with contemporary display, creating textural depth.

    BILROS ceramic and textile sculpture by MALGA (Mariana Filipe). Installation view, "Crafting with AI" at Estrela 74 by MOVART. Photography by André Matos.

  • A close-up of an art piece from the "Crafting with AI" exhibition, featuring numerous light-toned, wooden, bobbin-like forms. They are intricately arranged against a vibrant reddish-orange knitted or woven fabric, draped over a soft white bolster. The composition highlights the delicate craftsmanship and the textural contrast between the smooth wood and the rich textile.

    BILROS ceramic and textile sculpture by MALGA (Mariana Filipe). Installation view, "Crafting with AI" at Estrela 74 by MOVART. Photography by André Matos.

  • An exhibition space from "Crafting with AI" at Estrela 74 features a series of white pedestals displaying small, artisanal objects under a modern linear light fixture. The walls are partially painted with broad, raw teal strokes and visible plaster patches, creating a deconstructed industrial backdrop that contrasts with the refined display.

    Installation view, "Crafting with AI" at Estrela 74 by MOVART. Photography by André Matos.

A distinctive sculptural piece by Bryon Studios, showcased during Lisbon Design Week, combines ceramic and textile elements. An organic, textured white vase appears to melt onto a brown base, adorned with a draped fabric featuring subtle floral motifs. The raw, almost deconstructed aesthetic offers a unique blend of fragility and artistic expression.

Installation view, "Open Gardens" at Byron Studios featuring work by textile designer Chloe Skinner and ceramicist Marta Cypel. Photography by Sirence Studios.

A contemplative still life from the "Crafting with AI" exhibition at Estrela 74, featuring a small stone column, a natural rock, and patterned flat objects on a white plinth. The background reveals a partially painted wall with visible plaster patches, hinting at an unfinished or deconstructed aesthetic. The composition emphasizes raw materials and an interplay between natural and crafted forms.

STUDY FOR BOOKSHELF by Henriette Arcelin. Installation view, "Crafting with AI" at Estrela 74 by MOVART. Photography by André Matos.

An atmospheric courtyard at Locke Santa Joana, featuring a sculptural installation by AB and AC Architects. Titled "Alma Mater", is consists of two large-scale pieces, composed of dark, vertical elements that stand out amid the historic stone-floored space. Stripped walls with faded murals and white drapes hint at preserved architectural history, creating a meditative blend of old and new.

Alma Mater collectible series by AB+AC Architects. Installation view at Locke de Santa Joana hotel.

This same model is embraced by Ambre Jarno, founder of design studio Maison Intègre. Based in Ouagadougou, the capital of Burkina Faso since 2017, her workshop produces bronze furniture and objects using the ancestral lost-wax technique where each piece is crafted from recycled metals and natural materials.

But it’s the wave of younger creatives that truly energizes the scene. Designers like Marianna Ralo and AB+AC Architects (whose work was on view in the just opened Locke de Santa Joana hotel), Hugo Passos, Carla Alcalà Badias and Gonçalo Campos (part of the Sobre Mesa exhibition at Arquivo Aires Mateus, and Studio Gameiro and Hamrei (both presenting new designs in their showrooms), embody a new generation of product and interior designers who have chosen to live and work in Portugal.

A dramatic close-up of a sculptural candle holder by AB and AC Architects from the "Alma Mater" exhibition at Locke Santa Joana. Tall, dark, vertical fins of varying heights hold glowing amber candles, creating an architectural play of light and shadow. The design evokes a sense of solemnity and contemporary brutalism within the historic setting.

Alma Mater collectible series by AB+AC Architects. Installation view at Locke de Santa Joana hotel.Photography by Sirence Studios.

A close-up of the circular, ground-level candle installation from AB and AC Architects' "Alma Mater" exhibition at Locke Santa Joana. A ring of dark, vertical fin-like structures encircle a bed of light-colored sand, with warm amber candles flickering intermittently, creating a focal point of contemplative light and shadow against the textured stone floor.

Alma Mater collectible series by AB+AC Architects. Installation view at Locke de Santa Joana hotel. Photography by Sirence Studios.

An outdoor courtyard at Locke Santa Joana features a striking, large-scale textile artwork by Mariana Ralo, composed of abstract, colorful geometric patterns. Below, a classic white fountain with three spouts anchors a lush green lawn, complemented by natural material seating. Tall, vibrant, sculptural forms by Terrakota studio add a modern, eclectic touch to this serene outdoor setting.

Tapestry by Mariana Ralo, and ceramic sculptures by TERRAKOTA. Installation view at Locke de Santa Joana hotel. Photography by Sirence Studios.

A collection of vibrant, large-scale contemporary sculptures with organic, textured surfaces by Terrakota Studio are displayed outdoors at Locke Santa Joana. Tall, colorful forms in lime green, electric blue, bright orange, and red feature raised bumps and undulating shapes, set against a green lawn and wooden decking. The modern art contrasts with traditional white architecture and palm trees.

DisFunction collection of ceramic sculptures by TERRAKOTA. Installation view at Locke de Santa Joana hotel. Photography by Sirence Studios.

  • A close-up of a whimsical artisanal piece from Loulé Criativo's exhibition at Locke Santa Joana. A terracotta vessel is topped with a meticulously woven straw donkey head, featuring vibrant braided reins in neon colors. This piece exemplifies neo-vernacular design, blending traditional Portuguese pottery with playful, handcrafted details.

    CRAFT HEADS, a group show by Loulé Criativo at Locke de Santa Joana hotel. Photography by Sirence Studios.

  • Four distinctive sculptural pieces from Natalia Brilli Studio's "Utile Collection" are presented against a clean white background. Crafted from natural fibers, possibly rattan or straw, each piece features intricate weaving that forms stylized faces and decorative headpieces reminiscent of tribal art or ancient artifacts. Their organic textures and warm, earthy tones create an authentic, artful display.

    ÙTILÉ collection by Natalia Brilli. Courtesy of the designer.

Inside the Estadeobruto showroom, a large, intricate textile art piece by Natalia Brilli Studio dominates the wall, featuring organic, textured forms in neutral tones. Below, two vintage-style lounge chairs crafted from dark leather and metal frames offer a relaxed counterpoint. A series of sculptural, textured mask-like pieces from the "Paradise Collection" are displayed vertically, adding an element of raw artistry.

Paradise tapestry by Natalia Brilli at Estadobruto showroom. Courtesy of Estadobruto.

This phenomenon was already evident at the first Rotterdam Design Biennale: not only are young Portuguese creatives returning home after studying abroad, but many international designers are also choosing Lisbon as their base, drawn by the value and accessibility of local craftsmanship as much as the possibilities for experimentation. The result is a multi-ethnic, multidisciplinary creative community working to solidify a distinct design identity and gain recognition on the global stage.

To gain deeper insight into this cultural moment and the forces shaping it, we spoke with Michèle Fajtmann, the founder of Lisbon Design Week. Fajtmann, who is also the founder of From My City, a company established in the UK in 2010 specializing in creative placemaking, is particularly interested in the role public space plays in urban life and the use of art and culture for networking purposes.

Answers have been condensed and edited for clarity.

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An industrial-minimalist gallery space by Bamansure features a stark white backdrop and concrete floor. Three piles of white material on the floor form a sculptural focal point, complemented by a hanging abstract artwork in earthy tones. Delicate pendant lights and a deep blue curtain add splashes of color, creating a contemplative atmosphere focused on raw materials and form.

“Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

  • Minimalist wooden display tables create a rhythmic procession along white walls, bathed in gentle natural light. The Scandinavian-inspired arrangement features curated ceramic, metallic and wooden objects, with soft shadows adding depth to this serene gallery-like space celebrating craft and contemplative design.

    “Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

  • A detail shot from Bamansure's exhibit showcases a natural wood chair with a woven rush seat and back, embodying a rustic-minimalist aesthetic. Behind it, a corresponding square woven panel hangs on a white partition. The simple, honest construction and warm textures highlight a focus on traditional craftsmanship and natural materials within an open, industrial setting.

    “Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

  • A pristine white marble board becomes a canvas for natural materials, displaying various hemp fibers and dried grasses in an orderly composition. The weathered stone backdrop and warm wooden ledge frame this study in texture, reflecting a biophilic approach to material exploration and craft fundamentals.

    “Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

A close-up detail of a wooden table by Gonçalo Campos highlights a distinctive, undulating carved channel running across its light-toned surface. The fluid, organic groove contrasts with the straight grain of the wood, showcasing precise craftsmanship and a focus on subtle, sculptural details within a minimalist aesthetic.

Loonga table (detail) by Gonçalo Campos for Collector. Courtesy of Collector Group.

A minimalist wooden coffee table by Gonçalo Campos features an irregular, organic-shaped top crafted from light-toned wood. Supported by thick, cylindrical legs, its form is both playful and sculptural. The clean lines and natural material reflect a contemporary design sensibility, emphasizing craftsmanship and unique spatial presence.

Loonga table by Gonçalo Campos for Collector. Courtesy of Collector Group.

  • Midcentury-modern armchair exemplifies timeless Scandinavian design with its curved walnut frame and handwoven rush seat. The piece's graceful proportions and cross-braced structure demonstrate masterful woodworking, positioned against weathered concrete that emphasizes the chair's organic warmth and refined craftsmanship.

    “Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

  • A close-up reveals the intricate weave of natural fiber basketry, showcasing traditional craftsmanship where golden jute strands intersect in geometric patterns. The warm wooden handle contrasts against the organic texture, emphasizing the tactile quality of artisanal rope work and sustainable materials in contemporary design.

    “Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

  • A close up of a chair reveals the intersection of wood and weave, where smooth walnut joinery meets intricate rush cordage. The chair's sculptural frame creates geometric shadows while the natural fiber seat introduces organic texture, showcasing the dialogue between structured design and handcrafted elements.

    “Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

  • Pure Scandinavian restraint defines this simple dining chair with its clean ash frame and woven rush seat. The piece embodies functional minimalism, where every joint and angle serves both structural purpose and aesthetic harmony, standing confidently on weathered concrete flooring.

    “Lembra-te de mim" (Remember me), a collection of lights, furniture, sketches and memories by bamansure and Jecopalm Office, on display at Gabinete. Photography by Fabio Baldo.

A bold, mid-century modern waiting area at The Verse Hotel features a long, upholstered bench with three round, terracotta-orange tables. Above, two framed artworks in a De Stijl-inspired style use strong geometric forms in yellow, red, and light blue against a cream wall. The composition highlights a playful yet structured aesthetic.

State of Lineage collection by THER (Natasza Grzeskiewicz & Tomás Fernandes). Courtesy of THER.

An artisan's workshop captures the essence of traditional woodworking, where weathered plaster walls frame a craftsperson at work. Hand tools hang precisely on the wall while natural light streams through industrial windows, creating an atmosphere of focused creativity and time-honored making processes.

Cabinet maker Diogo Amaro in his studio. Photography by Francisco Ascensão.

  • The workshop environment frames these sculptural wooden pieces as works in progress, their turned profiles creating dynamic shadows on polished concrete. The industrial backdrop emphasizes the transformation from raw material to refined object, celebrating the alchemy of traditional craftsmanship in modern making.

    MATÉRIA collection by Diogo Amaro. Presented at Banema Studio during Lisbon Design Week 2025. Photography by Francisco Ascensão.

  • Laminated wood vessels reveal their construction through visible layers, creating sculptural seating or side tables with organic silhouettes. A pop of coral fabric adds warmth to the natural wood tones, demonstrating how traditional woodworking techniques can yield contemporary functional art pieces.

    MATÉRIA collection by Diogo Amaro. Presented at Banema Studio during Lisbon Design Week 2025. Photography by Francisco Ascensão.

  • Sculptural wooden vessels display masterful lathe work, their layered construction creating organic forms reminiscent of pottery. The industrial workshop setting with concrete floors provides a raw backdrop, highlighting the contrast between refined craftsmanship and utilitarian space in contemporary furniture design.

    MATÉRIA collection by Diogo Amaro. Presented at Banema Studio during Lisbon Design Week 2025. Photography by Francisco Ascensão.

What does it mean to make design in Lisbon?

I'm Belgian and have lived in New York, Warsaw, Brussels, and London, but it was only when I came to Lisbon that I discovered this world of design and high craftsmanship. I wasn't an expert in this field at all, but I became passionate about it after meeting the many organizations and people who showed me the exceptional craft being produced here.

In your opinion, has Lisbon’s cultural scene lost anything over the past decade?

Portugal has always had a rich craft tradition, especially in regions where there wasn’t much else to do. Although people developed their skills there, they never really evolved to the next level. During the Salazar regime (Estado Novo, from 1933 to 1974), traditional crafts such as Portalegre tapestry were commissioned extensively for public buildings, helping entire communities hone their expertise. But when those commissions stopped, there was no new generation ready to take over. As we don't know what the future holds, some of these crafts are of course at risk of disappearing. With that being said, if we can find ways with which to integrate them into projects with designers and galleries, there is a hope that we can preserve them.

Two hands hold up a large, irregularly shaped rug by Defio Rugs, depicting a whimsical, abstract scene. On a cream background, a large purple heart-shaped tree with red roots and small blue, yellow, and green flowers intertwines with a stylized olive-green human figure. A vibrant red ribbon connects the two, symbolizing connection and vitality.

Hanmade tapestry by Filipa Won (Defio Rugs) photographed at her textile studio at Principe Real neighborhood. Courtesy of Defio Rugs.

A vibrant abstract tapestry, on view at Galeria Tapeçarias de Portalegre, dominates a plain white wall above a rustic wooden bench. The artwork features bold, cubist-inspired forms in black, white, brown, and a striking red, depicting musical elements and abstract figures. The composition's clean lines and minimalist pairing allow the intricate textile to be the focal point.

Installation view, "The colloquial collector" curated by MS Studio at Galeria Tapeçarias de Portalegre. Courtesy of MS Studio. Photography by Sirence Studios.

A curated exhibition space by Studio Mirante showcasing a collection of vibrant, hand-painted ceramics and wall art. On the table, unique vases and plates in blues, reds, and greens are interspersed with bright lemons. On the white wall, four abstract botanical paintings, varying in color and composition, reflect a cohesive artistic vision with a natural motif.

Studio Mirante. Photography by Sirence Studios.

  • A vibrant tabletop display by Studio Mirante, showcasing eclectic ceramics and playful decor. In the foreground, a blue candelabra with red candles complements a sky-and-cloud patterned plate. A large, abstract pink amoeboid painting with jagged edges dominates the background, set against a bold blue wall, exuding a whimsical, maximalist artistry.

    Tableware by Laetitia Rouget at Studio Mirante. Photography by Sirence Studios.

  • A striking textile art installation by Maria Dezasseis, featuring three vertical panels of light-colored fabric adorned with colorful abstract shapes in blue, purple, red, and yellow. The panels are framed by a simple wooden structure, set against a serene backdrop of a cloudy sky and calm ocean waves, blending artistic expression with natural beauty.

    Textile installation by KRUS (Maria Dezasseis) at Gliding Barnacles festival (2023), Figueira da Foz. Courtesy of KRUS.

  • A captivating sculptural glass object features numerous amber-hued, diamond-patterned goblets, seemingly overflowing from a matching translucent amber bowl. Hand-crafted by Vista Alegre, it creates a sense of abundant, warm opulence through its rich color and textured forms.

    FIGO LAMPO by Vasco Águas. Quilting on linen and vintage cotton sheets.

  • A close-up of a whimsical ceramic plate from Studio Mirante, painted a cheerful sky blue with fluffy white clouds and the handwritten phrase "i am a dreamer." A single bright yellow lemon sits beside it, emphasizing the playful, dreamlike quality and the artisanal charm of the piece.

    "I am a dreamer" stoneware plate by Laetitia Rouget at Studio Mirante. Photography by Sirence Studios.

A wide view of LACS Santos' "The Tide Line Exhibition" captures an immersive, nature-inspired installation. Thick ropes, fishing nets, and marine elements like buoys cascade from central poles, grounded by a collection of objects including a bird-shaped sculpture. The textural, rustic art piece contrasts with the clean-lined, modern blue seating area and large windows revealing vibrant greenery.

Installation view, "The Tide Line" at LACS Santos featuring a selection of works of the After Hours collective, curated by Justīne Mūrniece and Luisa Hentsch. Photography by Ariel da Mata.

  • A view of LACS Santos' "The Tide Line Exhibition" captures an immersive, nature-inspired installation. Thick ropes, fishing nets, and marine elements like buoys cascade from central poles, grounded by a collection of objects including a bird-shaped sculpture. The textural, rustic art piece contrasts with the clean-lined, modern blue seating area and large windows revealing vibrant greenery.

    Installation view, "The Tide Line" at LACS Santos featuring a selection of works of the After Hours collective, curated by Justīne Mūrniece and Luisa Hentsch. Photography by Ariel da Mata.

  • An innovative textile installation, part of the "Echo Raw Materials" exhibition at Roca Lisboa Gallery, features a vertical tapestry of woven ropes in green and orange that unravel onto the wooden floor. The vibrant, cascading lines create a dynamic visual effect, contrasting with the minimalist white walls and track lighting of the gallery space.

    Installation view, "The Echo of Raw Materials" at Roca Lisboa Gallery. Photography by Nomas Studio.

A grand, multi-tiered chandelier crafted from a multitude of colored tassels hangs prominently in the Roca Lisboa Gallery's "Echo Raw Materials" exhibition. Below, a small, elegant vase sits on a round woven mat, centered on a polished wooden floor. The semi-circular white walls and large French doors create a dramatic, light-filled backdrop for this artistic installation.

Installation view, "The Echo of Raw Materials" at Roca Lisboa Gallery. Photography by Nomas Studio.

So in essence, you're trying to reconnect talent, craft, and institutions.

Many young designers and architects who studied abroad are returning home and joining local studios, gaining confidence and choosing to stay rather than seeking opportunities elsewhere. While we have a strong Fine Arts faculty here, it's a large institution that hasn't evolved significantly. At the same time, we have many skilled artisans who are either self-taught or learn their skills through mentorship, who have received help from various organizations, some of which are doing great nonprofit work to support this ecosystem. So, returning students feel proud and want to stay.

Local designers and architects across generations have expressed their excitement about finally having a design week in Lisbon. As they put it: "We always felt we had to go abroad to prove ourselves. Now we can bring the international audience here instead." This represents both a confidence boost and a challenge, as surviving on local clients alone continues to be difficult. With that being said, Portugal is beginning to attract international clients.

The "Perspective and Matter" exhibition by Luso Collective transforms a raw, industrial space into a gallery for contemporary furniture. An array of minimalist designs in various materials like wood, metal, and stone are artfully arranged amidst the decaying concrete walls and exposed timber beams, creating a dramatic interplay between raw architecture and refined objects.

Installation view, "Perspective & Matter" curated by Luso Collective. Photography by Irina Boersma Machado.

  • Hands adjust a light bulb on a unique terracotta-colored floor lamp by Pareidolia Design, set against a rustic stone wall. The lamp features a stacked, organic, hourglass-like base with linear white markings, topped by a shallow, curved shade. The raw, handcrafted aesthetic of the lamp contrasts beautifully with the rugged texture of the wall.

    Antenna floor lamp by Pareidolia Design (Tatiana Ferreira). Photography by Pedro Gomes Almeida.

  • A large, rectangular wall art piece by Pareidolia Design, composed of an array of terracotta-colored ceramic tiles, each featuring unique organic shapes and abstract relief patterns. The tiles are arranged in a grid, showcasing various cut-outs, curves, and circular elements that create a dynamic, sculptural effect against a plain white wall.

    Playground Tile Panel by Pareidolia Design (Tatiana Ferreira). Courtesy of Tatiana Ferreira.

  • A captivating display from the "Perspective and Matter" exhibition by Luso Collective set within a raw, industrial space. A tall, sculptural floor lamp with warm, glowing elements stands next to a tiered wooden shelving unit and a minimalist stool with a light cushion. The rough concrete walls and floor enhance the refined textures and forms of the contemporary pieces, evoking an industrial-chic aesthetic.

    Installation view, "Perspective & Matter" curated by Luso Collective. Photography by Irina Boersma Machado.

An architectural installation from the "Arcadia" exhibition by Oficina Marques, Viúva Lamego and Spacegram Studio features an immersive space crafted from white and glazed green ceramic tiles. The exterior showcases textured white tiles with subtle relief patterns, while the interior glows with vibrant green and yellow glazed tiles, creating a rich interplay of light and artisanal texture.

Arcadia tile collection by Oficina Marques x Viúva Lamego. Installation design by SPACEGRAM Studio. Photography by Manuel Manso.

A craftsman's hands carefully arrange an exquisite green glazed ceramic tile, part of the "Arcadia" collection by Oficina Marques and Viúva Lamego. The tile features an elegant, elongated teardrop motif with circular accents. Surrounding tiles in varying shades of green and amber reveal the intricate, modular design, highlighting the artisanal quality.

Arcadia tile collection by Oficina Marques x Viúva Lamego.Photography by Mário Ambrozio, RawStudio Lisboa.

A captivating detail from the "Arcadia" exhibition by Oficina Marques, Viúva Lamego and Spacegram Studio, showcasing an corner installation crafted from rich, variegated green and golden glazed ceramic tiles. The tiles feature intricate geometric and organic relief patterns, reflecting light beautifully and creating a luxurious, textural interplay of traditional craftsmanship and modern design.

Arcadia tile collection by Oficina Marques x Viúva Lamego. Installation design by SPACEGRAM Studio. Photography by Manuel Manso.

A minimalist collection of five cylindrical and rectangular lamps by Thayra Correia, crafted from brushed metal and wood, is artfully arranged on a polished concrete floor. The subtle illumination from within these sculptural forms creates a serene atmosphere, highlighting their clean lines and understated industrial-meets-Japandi aesthetic.

Djuntu Collection of metal lamps by Thayra Correia. Courtesy of the designer.

A sophisticated showroom interior from Estadeobruto, part of Lisbon Design Week, blends brutalist and mid-century modern elements. A raw concrete column anchors the open space, complemented by a dramatic veined marble bar. Warm wooden seating, a minimalist metal-framed table, and ambient track lighting highlight the curated collection of art and furniture, creating an atmosphere of refined industrial elegance.

Estadobruto showroom. Courtesy of Estadobruto.

What role does design play in Portugal today?

Design has already helped, and I believe it will play an even greater role in the future. It's really a combination of factors. You can read extensively about this, but to cultivate a creative class, including digital nomads and remote workers who are establishing themselves here, you need to initially attract them by offering an ecosystem where they can truly enjoy life. Of course, the beach is a major draw, but they're also culturally motivated to experience museums, galleries, restaurants, and hotels.

Six years ago, I witnessed galleries opening and then closing because they couldn't generate enough interest. Design Week helps tremendously in this regard because it shows people that creativity isn't confined to websites; it's in the streets, all around us, bringing new energy to the city.

In this time of crisis, what really matters in design?

Design that matters is design for local life.

A close-up of the "Sobre Mesa" exhibition by Arquivo Aires Mateus reveals intricate details of the display. On a sleek, light-grey table, unique ceramic pieces and glassware are artfully arranged, including a vibrant orange textured bowl. Large-scale photographic prints in the background depict convivial dining moments, linking the functional design with social interaction.

Installation view, Sobre Mesa at Arquivo Aires Mateus. Curated by MUT Design and João Xará. Photography by Miguel Flor.

The "Sobre Mesa" exhibition by Arquivo Aires Mateus features a long, low display table showcasing a diverse collection of contemporary tableware and ceramic objects in muted and vibrant tones. Behind it, large photographic panels depict lively dining scenes, creating a dynamic interplay between the exhibited objects and their potential use, set within a spacious, modern gallery.

Installation view, Sobre Mesa at Arquivo Aires Mateus. Curated by MUT Design and João Xará. Photography by Sirence Studios.

  • A striking sculptural composition of teal-colored glass goblets, each featuring a textured diamond pattern, emerges from a central, translucent teal vase. This object from Vista Alegre playfully reinterprets traditional glassware, creating a dynamic and artful composition with vibrant color and tactile surfaces.

    Glass object by Andrea Zilio (Murano) and Arlindo Francisco (Vista Alegre), hand-crafted at Vista Alegre factory under the creative direction of Emmanuel Babled. Photography by Stéphane Béchaud.

  • A captivating sculptural glass object features numerous amber-hued, diamond-patterned goblets, seemingly overflowing from a matching translucent amber bowl. Hand-crafted by Vista Alegre, it creates a sense of abundant, warm opulence through its rich color and textured forms.

    Glass object by Andrea Zilio (Murano) and Arlindo Francisco (Vista Alegre), hand-crafted at Vista Alegre factory under the creative direction of Emmanuel Babled. Photography by Stéphane Béchaud.

  • A showroom display of "Light & Stone Design" by Estadeobruto Architects, featuring an array of minimalist stone lamps on various white pedestals against a vibrant orange wall. Translucent onyx and dark marble bases emit a warm, diffused glow, showcasing the interplay of natural materials and light. Wall-mounted rectangular sconces add to the sophisticated illumination of the display.

    Stone lamps by Estadobruto. Courtesy of Estadobruto.

A framed, minimalist textile artwork by Anna Westerlund, featuring layers of cut and woven white paper or fabric strips, stands on a pristine white plinth at Santa Clara 1728. Beside it, a shallow, patterned woven basket adds a contrasting organic texture. The light wood frame and clean composition evoke a serene, Japandi-inspired aesthetic.

“Silent Forms” by ceramict Anna Westerlund at Santa Clara 1728. Photography by Sirence Studios.

A minimalist gallery setting by Studio Mirante features a central abstract painting with bold black and white organic shapes on a beige canvas. Flanking the painting are two textured, cylindrical wooden wall sconces. Below, two large, abstract white ceramic sculptures rest on rustic wooden plinths, creating a harmonious interplay of form, texture, and natural materials.

Studio Mirante. Photography by Sirence Studios.

  • Two unusual ceramic pieces from the “Tangled Narratives” exhibition are displayed in Thiago Novaes' hair salon. On the left, a white pitcher with blue abstract markings is adorned with dark, tangled hair strands. On the right, a lidded urn with delicate floral embellishments also features dark hair, highlighting a surreal and provocative exploration of hair as an artistic medium.

    Installation view, "Tangled Narratives" group exhibition at Thiago Novaes Hair Studio. Curated by Joana Astolfi & Inês da Câmara. Photography by Bardo Creative Ground.

  • The “Tangled Narratives” exhibition at Thiago Novaes' hair studio which merges industrial and eclectic aesthetics within a stone-walled space. A vintage black leather barber chair sits before a white display wall adorned with various hair extensions and artistic pieces. Stone shelves and an exposed archway frame the scene, creating a unique, almost curio-shop ambiance.

    Installation view, "Tangled Narratives" group exhibition at Thiago Novaes Hair Studio. Curated by Joana Astolfi & Inês da Câmara. Photography by Bardo Creative Ground.

  • Two sculptural hair combs from the "Tangled Narratives" exhibition at Thiago Novaes' hair salon are displayed on a clean, light surface. Each comb features intricate, organic adornments resembling moss-covered branches, showcasing a unique fusion of functional objects with natural, artistic elements, embodying a biophilic design philosophy.

    Installation view, "Tangled Narratives" group exhibition at Thiago Novaes Hair Studio. Curated by Joana Astolfi & Inês da Câmara. Photography by Bardo Creative Ground.

A collection of modern, sculptural vases from Tosco Studio's "Time Vessels" series, presented in various sizes and organic shapes. Each vase features a unique marbling effect in muted earth tones, soft greens, blues, and yellows, with some displaying cut-outs. Dynamic shadows cast across the white surface highlight their tactile forms and artistic craftsmanship.

Time Vessels sculptural series of concrete vases by Tosco Studio. Photography by Ana Araújo.

A soft, sculptural textile piece by Vasco Aguas, crafted from light blue and white patterned fabric, rests on a subtly textured floor. Bathed in natural sunlight, dramatic shadows enhance its organic, biomorphic shape, evoking the gentle unfurling of a flower petal or a cloud, showcasing an artistic and serene approach to form.

The Verse hotel. Photography by Francisco Nogueira.

A spacious room features a vibrant red rug with bold, abstract shapes and letters in blue, yellow, and white, designed by Atelier Daciano da Costa. A plush, light blue armchair rests on the rug, complemented by a large framed photograph of a modern, circular dining room on the wall. The contrasting elements create an inviting yet sophisticated interior.

Atelier Daciano da Costa. Photography Estudio Peso.