
David/Nicolas Reframe Emirati Heritage for ADREA’s Equestrian Library and Saddle Workshop in Abu Dhabi
Words by Eric David
Location
Abu Dhabi, UAE
David/Nicolas Reframe Emirati Heritage for ADREA’s Equestrian Library and Saddle Workshop in Abu Dhabi
Words by Eric David
Abu Dhabi, UAE
Abu Dhabi, UAE
Location
Known for their ability to reconcile precision craftsmanship with contemporary design, design duo David/Nicolas were a natural choice to shape the Equestrian Library and Saddle Workshop within the newly inaugurated premises of the Abu Dhabi Royal Equestrian Arts (ADREA), the world’s fifth school of classical horsemanship and the first of its type established outside Europe.
Part of a broader institutional campus on Jubail Island that includes a state-of-the-art performance arena and 60 stables, the duo’s intervention aligns closely with ADREA’s ambitions: to preserve equestrian heritage while articulating it through a contemporary architectural language. Grounded in extensive research into Emirati equestrian culture and classical horsemanship, their design strikes a careful balance between heritage and modernity, avoiding historicist cues in favour of abstraction and restraint. The result is a pair of craft-rich spaces imbued with tradition that nonetheless feel entirely at ease within the city’s gleaming architectural context.

Photography by Žiga Mihelčič.

Photography by Žiga Mihelčič.

Photography by Žiga Mihelčič.
Based between Milan, Beirut, and San Francisco, David/Nicolas have built a practice rooted in research, technical refinement, and long-term relevance. Founded by David Raffoul and Nicolas Moussallem in 2011, the studio’s work resists attachment to any single style, instead drawing on a wide spectrum of influences ranging from historical craft traditions to contemporary culture and industrial processes. By rethinking traditional materials through modern applications, the duo consistently produce spaces that feel both grounded and forward-looking, a duality that finds a particularly fitting expression within ADREA’s academic and artisanal framework.
Housing over 14,000 volumes about horses, riding, and equestrian heritage, the library is organised around a central cubic volume crafted from French oak and mahogany, around which a sinuous ring of curved steel bookshelves encourages fluid circulation. This contrast between a heavy, inward-looking core and a lighter, outward-facing perimeter establishes two distinct spatial moods: the centre, carpeted and softly lit, supports focused study, while the outer zone unfolds as a quiet promenade for browsing. Laboriously hand-carved in Lebanon, the wooden surfaces of the central core are articulated with rhythmic incisions of oblique and straight lines, alongside small spherical details referencing handmade leatherwork. These gestures are not decorative flourishes but introduce a tactile density that offsets the openness of the surrounding perimeter.

Photography by Žiga Mihelčič.

Photography by Žiga Mihelčič.

Photography by Žiga Mihelčič.

Photography by Žiga Mihelčič.

Photography by Žiga Mihelčič.
Adjacent to the library, the saddle workshop applies similar principles within a more explicitly functional setting. Echoing the library’s spatial logic, the workshop has been conceived as a sculptural wooden volume set within the wider premises. Saddles in various stages of completion are displayed along the perimeter on wooden hooks, allowing visitors to register the material presence of the craft before entering the central working area. Inside, perforated wooden panels fitted with interchangeable pegs support an evolving display of leather straps, brass fittings, and specialised tools. Despite its utilitarian brief, the atelier avoids the informality typical of workshops through carefully calibrated proportions, restrained material choices, and meticulous detailing result in a space that supports instruction while maintaining visual clarity and order.
In the hands of David/Nicolas, the two spaces demonstrate how an architecture grounded in craftsmanship, proportion, and precision can support institutional ambition through an approach that allows heritage and contemporary practice to harmoniously coexist through material intelligence.

Photography by Žiga Mihelčič.

Photography by Žiga Mihelčič.

Photography by Žiga Mihelčič.






