A wide, symmetrical view of the saddle workshop emphasizes its architectural structure. The light oak portals frame two simple work tables and a central workspace where hides are displayed. The entire space is meticulously organized, with the luminous ceiling defining the bright, contemporary atmosphere.

David/Nicolas Reframe Emirati Heritage for ADREA’s Equestrian Library and Saddle Workshop in Abu Dhabi

Words by Eric David

Abu Dhabi, UAE

Known for their ability to reconcile precision craftsmanship with contemporary design, design duo David/Nicolas were a natural choice to shape the Equestrian Library and Saddle Workshop within the newly inaugurated premises of the Abu Dhabi Royal Equestrian Arts (ADREA), the world’s fifth school of classical horsemanship and the first of its type established outside Europe.

Part of a broader institutional campus on Jubail Island that includes a state-of-the-art performance arena and 60 stables, the duo’s intervention aligns closely with ADREA’s ambitions: to preserve equestrian heritage while articulating it through a contemporary architectural language. Grounded in extensive research into Emirati equestrian culture and classical horsemanship, their design strikes a careful balance between heritage and modernity, avoiding historicist cues in favour of abstraction and restraint. The result is a pair of craft-rich spaces imbued with tradition that nonetheless feel entirely at ease within the city’s gleaming architectural context.

A view through a wooden entryway into the workshop, where dark leather and white sheepskin saddles hang in the foreground, creating a tactile foreground. The eye is drawn to the continuous system of oak pegboards in the background, sparsely filled with black riding boots and a simple wooden stand, highlighting the rustic-modern simplicity of the design.

Photography by Žiga Mihelčič.

A view through the oak-columned entryway of the workshop reveals a symmetrical arrangement of twin tables and minimalist black chairs. The modular shelving system displaying tools and hides creates a structured backdrop, all unified by the vast, soft light filtering through the overhead tensioned ceiling.

Photography by Žiga Mihelčič.

A quiet reading nook in the library, framed by elaborate oak bookcases featuring carved geometric detailing. A deep, rich burgundy velvet bench is set into a recessed niche, lit by two subtle, curved wall sconces. This intimate space combines traditional cabinetry with the deep color palette of a classic library retreat.

Photography by Žiga Mihelčič.

Based between Milan, Beirut, and San Francisco, David/Nicolas have built a practice rooted in research, technical refinement, and long-term relevance. Founded by David Raffoul and Nicolas Moussallem in 2011, the studio’s work resists attachment to any single style, instead drawing on a wide spectrum of influences ranging from historical craft traditions to contemporary culture and industrial processes. By rethinking traditional materials through modern applications, the duo consistently produce spaces that feel both grounded and forward-looking, a duality that finds a particularly fitting expression within ADREA’s academic and artisanal framework.

Housing over 14,000 volumes about horses, riding, and equestrian heritage, the library is organised around a central cubic volume crafted from French oak and mahogany, around which a sinuous ring of curved steel bookshelves encourages fluid circulation. This contrast between a heavy, inward-looking core and a lighter, outward-facing perimeter establishes two distinct spatial moods: the centre, carpeted and softly lit, supports focused study, while the outer zone unfolds as a quiet promenade for browsing. Laboriously hand-carved in Lebanon, the wooden surfaces of the central core are articulated with rhythmic incisions of oblique and straight lines, alongside small spherical details referencing handmade leatherwork. These gestures are not decorative flourishes but introduce a tactile density that offsets the openness of the surrounding perimeter.

A detailed perspective of the library reading area showcases the long, recessed niche with walls completely clad in richly textured oak paneling and deep red carpet. A low, striped bench offers a quiet moment for reflection, contrasted by the sleek, curved, stainless-steel shelving unit visible in the foreground.

Photography by Žiga Mihelčič.

The Equestrian Library features two serpentine, curved shelving units made of polished stainless steel and fluted wood trim, contrasting with the warm-toned travertine floor. Soft natural light streams through, casting striped shadows and highlighting the array of equestrian books, blending a modern aesthetic with classic library elements.

Photography by Žiga Mihelčič.

A view through the ornate oak doorway into the Equestrian Library reading area. Curved, polished steel bookcases line the walls, drawing the eye toward a simple wooden table and dark green modernist chairs. The variegated marble floor reflects the light, creating a quiet, sophisticated atmosphere for study.

Photography by Žiga Mihelčič.

  • A casual seating area in the Equestrian Library features dark green metal chairs with black leather seats, contrasting with the light oak table. The wall features custom joinery with complex, etched geometric patterns, blending minimalist shelving with neo-vernacular detailing around a counter with a deep red lamp.

    Photography by Žiga Mihelčič.

  • The corner of the Equestrian Library features bespoke oak shelving extending from floor to ceiling, adorned with intricate geometric etchings that give a neo-vernacular texture to the surfaces. Natural light highlights the equestrian books and the light oak circulation desk in the foreground, creating a warm, scholarly atmosphere with a hint of artisan craft.

    Photography by Žiga Mihelčič.

  • A close-up reveals the exquisite woodwork in the library, featuring intricate geometric patterns carved into the oak panels. Alternating diagonal hatching and vertical stripes are punctuated by small, inlaid circular dots, creating a rich, textural backdrop for the displayed books, like Sun Tzu's The Art of War.

    Photography by Žiga Mihelčič.

  • The Equestrian Library at ADREA features a recessed study area defined by a deep red carpet and walls lined with finely crafted neo-vernacular oak bookshelves. The elaborate woodworking around the archway entrance boasts a geometric, patterned texture, contrasting with the minimalist straight lines of the external shelves and the polished travertine floor.

    Photography by Žiga Mihelčič.

The intimate reading alcove of the Equestrian Library, accessible through a highly detailed neo-vernacular oak portal. The inset walls are lined with bookcases above a deep red carpet and cushioned bench. The rich texture of the carved wood panels adds historical gravitas to the contemporary space.

Photography by Žiga Mihelčič.

A wide, symmetrical view of the saddle workshop emphasizes its architectural structure. The light oak portals frame two simple work tables and a central workspace where hides are displayed. The entire space is meticulously organized, with the luminous ceiling defining the bright, contemporary atmosphere.

Photography by Žiga Mihelčič.

Adjacent to the library, the saddle workshop applies similar principles within a more explicitly functional setting. Echoing the library’s spatial logic, the workshop has been conceived as a sculptural wooden volume set within the wider premises. Saddles in various stages of completion are displayed along the perimeter on wooden hooks, allowing visitors to register the material presence of the craft before entering the central working area. Inside, perforated wooden panels fitted with interchangeable pegs support an evolving display of leather straps, brass fittings, and specialised tools. Despite its utilitarian brief, the atelier avoids the informality typical of workshops through carefully calibrated proportions, restrained material choices, and meticulous detailing result in a space that supports instruction while maintaining visual clarity and order.

  • An oak saddle horse in the workshop is draped with a striking black and red geometric-patterned blanket, adding a vibrant textural contrast to the subdued palette. The surrounding modular pegboard walls display yellow straps and brass hardware, highlighting the blend of traditional craft and functional, minimalist display.

    Photography by Žiga Mihelčič.

  • The corner of the David/Nicolas saddle workshop is visible, organized by modular oak panels displaying neat rows of polished brass stirrups, bridles, and yellow leather straps. A light oak workbench with black leather seats is centered under the luminous ceiling. This minimalist-functional design contrasts the tailored precision of the equipment with the building’s arched windows.

    Photography by Žiga Mihelčič.

  • An intimate view of the ADREA saddle workshop highlights the modular oak shelving system defined by vertical cylindrical slats and precision-drilled peg holes, embodying a neo-vernacular functionalism. Sheets of rich tan and black leather hang above a long workbench with a leather-working press. The palette is dominated by warm wood, punctuated by the vibrant terracotta-colored floor below the neutral sisal carpet.

    Photography by Žiga Mihelčič.

In the hands of David/Nicolas, the two spaces demonstrate how an architecture grounded in craftsmanship, proportion, and precision can support institutional ambition through an approach that allows heritage and contemporary practice to harmoniously coexist through material intelligence.

A close-up of a dark leather saddle hanging against David/Nicolas’s custom oak modular wall paneling at ADREA. The rich patina of the saddle contrasts with the light, vertically fluted wood and the bold, reddish-orange floor. A sliver of warm directional light casts a distinct shadow, emphasizing the craftsmanship and texture of the equestrian gear.

Photography by Žiga Mihelčič.

The corner of the workshop features a free-standing light oak saddle horse holding a rich tan saddle. The modular oak pegboard walls are utilized for displaying black bridles and polished brass bits. This organized workspace is unified by the minimalist aesthetic and the clean, diffused lighting from above.

Photography by Žiga Mihelčič.

Five worn, leather saddles with contrast stitching and metal hardware are mounted onto a fluted oak panel. The close-up reveals the tactile texture of the leather, balanced against the precision of the modular joinery. An arched window in the background connects the interior's warm tones with the bright Abu Dhabi exterior, grounding the high-quality craftsmanship in its setting.

Photography by Žiga Mihelčič.

David/Nicolas Reframe Emirati Heritage for ADREA’s Equestrian Library and Saddle Workshop in Abu Dhabi