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Seen from above, the curving double-height wall carries Carla Sozzani's photography collection in a dense salon hang, framed prints meeting a long ledge of stacked books. Below, the serpentine brown De Sede DS-600 sofa follows the room's arc across pale herringbone stone, the copper fireplace just visible.

Casa Ideale: Luca Pronzato Turns a 1970s Villa in Arles into a Hybrid Hospitality Concept

The boundary wall runs the length of the street frontage, its softly mirrored panels reflecting the surrounding planting. A jacaranda arches overhead as a recessed door sits almost flush within the cladding. Above the densely vegetated parapet, the pale plaster volume reveals its restrained, controlled openings.

Barrancas: A Family House in Mexico City Frames Domestic Life Through Landscape and Light

A seating corner in the Dalí Suite at Bus Palladium, anchored by a tufted black leather lounge chair and tan leather modular sofa around brass nesting tables. Burl-wood speaker cabinets flank a marble-topped bar console, a fluted-glass screen and framed archival party photograph completing the full-throttle seventies mood.

Bus Palladium Paris: Studio KO Turns a Legendary Pigalle Nightclub into a Five-Star Hotel

The dining room at Ca la Carolina sits beneath a Catalan vaulted ceiling of terracotta brick carried on slim concrete beams. A whitewashed rubble-stone wall holds a built-in bench, while bentwood chairs gather around a pale timber table on a terracotta-tiled floor washed in raking afternoon light.

Ca la Carolina: Lacol and Altura Arquitectes Renew an 18th-Century House in Rural Catalonia

The façade of YAPA Antiparos, where a large opening frames the brushed stainless-steel bar and pale oak stools, visible from the street. A low marble bench and potted prickly pears flank the threshold, the long communal table and olive-shaded courtyard extending to the right beneath a tall conifer.

YAPA Antiparos Carries a Milanese Restaurant's Nomadic Spirit to the Cyclades

A large Matsumoto Honbako suite with dark slate tile floors, pale ash bar stools at a black granite kitchen counter, and a low platform bed to the right. Corrugated metal ceilings in two tones mark a change in ceiling height, while timber slatted screens and a shoji partition in the background hold the room's characteristic tension between industrial structure and Japanese craft.

Matsumoto Jujo Revitalises a Historic Hot Spring District in Japan with a Multifaceted Hospitality Proposition

A symmetrical view of the Oratory at Abbotsford Convent frames Tom Fereday's Arum exhibition at Melbourne Design Week 2026. The timber-clad proscenium arch, flanked by stained glass windows, forms a warm backdrop to the Sia Chair, Mano glass blocks in smoky cast glass, and the travertine Cor Light totem on stage.

Tom Fereday's Solo Exhibition at Melbourne's Abbotsford Convent Explores the Elemental Origins of Glass

The mezzanine library at Amaltash, Navsari, by Design ni Dukaan, tucked into the angle formed by the solar-panel roofline. Sharply raking micro-cement planes cut across the upper frame, their edges throwing precise shadow lines across the warm grey surface. A custom teakwood bookcase is built into the deepest recess, its open shelves and cabinet doors fitting the angled geometry exactly. A low dark wood chair with a cane seat occupies the platform beside it, the triangular window aperture beyond flooding the space with diffused natural light.

Amaltash House: A Contemporary Navsari Home by Design ni Dukaan, Shaped by Indian Craft Traditions

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