
Grid Arthub: The Adaptive Rebirth of a Historic Shipyard Hall in Gdańsk
Words by Yatzer
Location
Gdańsk, Poland
Grid Arthub: The Adaptive Rebirth of a Historic Shipyard Hall in Gdańsk
Words by Yatzer
Gdańsk, Poland
Gdańsk, Poland
Location
Part of Gdańsk's historic shipyard, Hall 31B has served numerous purposes since it was built in the late 19th century. From a wood drying plant to mess hall and boxing gym to office space, its storied past mirrors the layered history of the shipyard itself, best known as the birthplace of the Solidarity movement in 1980, the Soviet bloc's first independent trade union which sparked the eventual collapse of communism in Eastern Europe.
Reopened in the summer of 2025 after a two-year renovation, the two-storey building now functions as a multidisciplinary cultural hub, bringing together artists' studios, a restaurant, and an all-day café & bar under the same roof. A microcosm of the city's thriving creative scene, the revived Hall 31B also stands as a testament to the creative potential of adaptive reuse, courtesy of interdisciplinary design practice IPA led by architect Filip Kozarski. Combining industrial utility and DIY charm, Kozarski’s design playfully bridges the past and present through a resourceful material language of low-tech reinvention.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.
Anchoring the revived building is Grid Arthub, an independent creative space on the upper floor. The space is centred on a vast central hall flooded with daylight from clerestory windows with additional communal areas and individual studio spaces unfolding around it. On the ground floor, the ecosystem is further realised by vegetarian restaurant Dust Kitchen, all-day café & bar Plot Social Club, and the offices of the Gdańsk Tourism Organization. The building's two-tiered programme fully embodies the simple yet powerful principle of symbiosis whereby rents collected from commercial tenants on the ground floor sustain all non-commercial cultural initiatives above, enabling artists and creatives to benefit from preferential rent rates.
The building's renovation was less about restoring its former glory than about revealing its latent potential. Kozarski's intervention retains the building shell, keeping the concrete pillars, brickwork, and steel structure, while introducing a new material rhythm built almost entirely from salvaged and repurposed elements. With pops of red, yellow and blue punctuating the industrial palette lending warmth and playfulness to create a visual continuity across the different spaces, a visual patchwork of textures, colours, and histories emerges, encapsulating the venue's creative spirit.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.
Kozarski's commitment to reuse and reinvention further extends to almost every detail, from furniture and fixtures to the spectacular wooden flooring across Grid Arthub. Rescued from the Olympic Training Centre in Cetniewo, the latter's colourful sports-court lines have intentionally remained intact, animating the vast open spaces almost like abstract brushstrokes. "It was a true challenge to find over a thousand square metres of healthy flooring from a single source," recalls Kozarski. "But by keeping the colourful lines visible, it has character and tells its story."
Other examples of reuse and reinvention include old skylight panes from the hall's roof which have been re-cut to glaze the studio windows; discarded stoneware tiles and offcuts which have been patched into the floor; and bathroom counters, partition walls and door handles created from shredded Coca-Cola and Sprite plastic crates sourced from a nearby bar.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.
The project's adaptable spirit also extends to the furniture. Many elements were made on-site using DIY techniques, such as the monumental red table in Grid Arthub's central hall and the adjoining shelving unit built from scaffolding pipes and yellow formwork boards, both of which can be repurposed or reassembled as needed. In the restaurant and café-bar, seating mixes reused furniture with Kozarski's custom-built pieces, including benches on scaffolding wheels and tables fashioned from construction formwork.
Hosting a diverse cultural programme that includes workshops, talks, concerts, yoga sessions, exhibitions, parties, and open-air film screenings, Hall 31B has quickly established itself as a vital node in Gdańsk's expanding creative ecosystem. In a city where the past continually reshapes the present, its transformation offers a compelling model for adaptive reuse in both programmatic and architectural terms—one that honours industrial heritage while making space for contemporary creative expression.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.

Photography by PION Studio.












