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The New York Outpost of Amelie Maison d'Art Conjures the Intimacy of a Collector's Home

The New York Outpost of Amelie Maison d'Art Conjures the Intimacy of a Collector's Home

Heritage and Modernity Gracefully Meet in an Aesthetically-Driven Hair Salon in Warsaw

Heritage and Modernity Gracefully Meet in an Aesthetically-Driven Hair Salon in Warsaw

A Multi-Use Venue Catering to Chengdu's Youth is an Immersive Urban Oasis

A Multi-Use Venue Catering to Chengdu's Youth is an Immersive Urban Oasis

Agata Kurzela Thoughtfully Interweaves Heritage and Innovation in a Government Office Space in Abu Dhabi

Agata Kurzela Thoughtfully Interweaves Heritage and Innovation in a Government Office Space in Abu Dhabi

Turning Tides: Designing a Modern Brazil at Carpenters Workshop Gallery

Turning Tides: Designing a Modern Brazil at Carpenters Workshop Gallery

Design Studio

Ronan and Erwan Bouroullec

About

Brothers Ronan (born 1971) and Erwan Bouroullec (born 1976) have been working together since 1999 across several fields ranging from furniture and product design, to interior design and architectural projects, their Paris-based studio boasts a long list of no-nonsense, revolutionary products for bra

Nationality

French

Based In

Paris

Location

Paris, France

Website

bouroullec.com

Ronan and Erwan Bouroullec

Brothers Ronan (born 1971) and Erwan Bouroullec (born 1976) have been working together since 1999 across several fields ranging from furniture and product design, to interior design and architectural projects, their Paris-based studio boasts a long list of no-nonsense, revolutionary products for brands such as Vitra, Kvadrat, Kartell, Cappellini and Flos, as well as collectible works for the revered Galerie kreo. At the same time, both brothers have their own individual thriving artistic practices with Ronan focused on hand drawing creating abstract compositions in the footsteps of the Surrealist artists, while Erwan is fully immersed in the digital world producing artworks at the intersection of art and coding.

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