A close view of Central’s open kitchen reveals monolithic stone counters with roughly hewn edges paired with precise stainless steel detailing. Above, a luminous grid ceiling casts even, shadowless light, while chefs move behind a low partition, reinforcing the space’s blend of brutalist materiality and controlled theatricality

Central by J.AR OFFICE Recasts a Historic Brisbane Basement as a Theatrical Dining Space

Words by Eric David

340 Queen St, Brisbane City, Australia

Located in a historic building in Brisbane’s central business district, Central is a Cantonese restaurant and cocktail bar that has transformed a storied basement into an immersive dining environment. Drawing inspiration from Hong Kong’s high-energy spirit and 1980s corporate office interiors, as well as the layered history of the subterranean site, Queensland-based architect Jared Webb of J.AR OFFICE have fused a starkly brutalist, industrial-chic aesthetic with an enticing theatricality to create a space where architecture, atmosphere and gastronomy converge.

A dimly lit lounge corner features a built-in aquarium, its softly illuminated interior casting a gentle glow across textured stone and concrete surfaces. Paired with a small timber table and champagne bucket, the scene balances raw materiality with moments of quiet refinement.

Photography by David Chatfield.

The luminous ceiling grid dominates the composition, its glowing panels framed by dark structural lines. Below, textured Brisbane-Tuff walls introduce depth and irregularity, while stone-topped counters extend into the foreground, creating a measured dialogue between raw geological surfaces and refined, modern interventions.

Photography by David Chatfield.

Viewed through parted fabric curtains, a glimpse into the dining area reveals a softly lit counter lined with stools. The heavy drapery frames the scene like a stage, enhancing the sense of transition and intimacy while echoing the theatrical layering that defines J.AR OFFICE’s spatial approach.

Photography by David Chatfield.

The design was driven by the client’s desire to revive the spirit of escapism once associated with the space, which formerly housed the Primitif Café, a celebrated jazz bar and coffee lounge that animated Brisbane’s nightlife throughout the 1950s and 60s. This reputation for transporting patrons away from the city’s everyday rhythms provided a compelling starting point for the project, as did the building itself. Originally constructed in the 1890s, the building had recently undergone a major refurbishment which uncovered long-concealed architectural layers, most notably the original Brisbane-Tuff stone walls.

Formed from volcanic rock historically quarried at nearby Kangaroo Point, this type of masonry was widely used in many of the city’s early civic structures. Rather than concealing these rugged surfaces, the architects chose to foreground them, allowing the weathered masonry to anchor the restaurant’s contemporary interventions. Fusing brutalist and industrial sensibilities together, J.AR OFFICE’s scheme now leans into the constraints typical of a basement setting—namely low ceilings, no natural light and complex ventilation requirements—imbuing the space with a moody, subterranean atmosphere that conjures Hong Kong’s urban grit. At the same time, stainless steel surfaces and large salt-and-pepper granite blocks inspired by the gleaming interiors of 1980s corporate lobbies introduce a sleek, metropolitan edge.

A stepped counter arrangement wraps around the open kitchen, its dark stone surfaces contrasting with the luminous ceiling above. Exposed Brisbane-Tuff walls form a textured backdrop, while minimal detailing and controlled lighting emphasise the project’s restrained industrial palette and focus on spatial hierarchy.

Photography by David Chatfield.

A close view of Central’s open kitchen reveals monolithic stone counters with roughly hewn edges paired with precise stainless steel detailing. Above, a luminous grid ceiling casts even, shadowless light, while chefs move behind a low partition, reinforcing the space’s blend of brutalist materiality and controlled theatricality

Photography by David Chatfield.

A booth seating area is anchored by a square timber table set against exposed Brisbane-Tuff stone walls, their weathered surface revealing layers of age and patina. Soft, focused lighting highlights the tactile contrast between raw masonry, smooth leather banquettes and refined table settings.

Photography by David Chatfield.

Thinly waxed timber tables introduce warmth, softening the industrial palette and adding a tactile dimension to the dining experience, as do softly draped fabric dividers by local textile designer George Park, which offer a dramatic, theatrical counterpoint to the minimalist austerity of the stone and steel surfaces. Inspired by the mesh scaffolding commonly seen on Hong Kong construction sites, these fabric elements that hang loosely from suspended rods, offer a flexible option for separating tables when required thanks to adjustable drawstrings.

  • A narrow dining corridor at Central reveals a layered composition of materials, where softly ruched fabric dividers line one side and a backlit wine display animates the other. A glowing communal table anchors the space, while exposed services and Brisbane-Tuff walls reinforce the project’s industrial, subterranean character.

    Photography by David Chatfield.

  • A private dining nook at Central combines brushed metal partitions with softly draped fabric curtains, their gathered folds controlled by visible drawstrings. The illuminated table surface casts a muted glow, offsetting the raw concrete walls and exposed ductwork, creating an intimate, industrial setting shaped by contrast and restraint.

    Photography by David Chatfield.

A suspended stainless steel roasting cabinet displaying hanging ducks forms a striking focal point within Central by J.AR OFFICE. Surrounded by softly gathered fabric curtains, shaped by drawstrings, the scene juxtaposes culinary spectacle with theatrical drapery, set against a dark, industrial backdrop that heightens the sense of ritual and anticipation.

Photography by David Chatfield.

The open kitchen is framed by monolithic stone counters and a luminous ceiling grid, where chefs move between stations in a tightly choreographed workflow. Timber stools line the counter, placing diners in direct proximity to the action and reinforcing the space’s performative, theatre-like character.

Photography by David Chatfield.

At the centre of the layout is a raised open kitchen conceived as a theatrical stage: diners gather around it at counters and communal tables, becoming an audience to the choreography of both the kitchen and bar staff. A luminous grid ceiling hovering above this central zone—another nod to the gleaming interiors of 1980s corporate lobbies—further emphasises the kitchen as the focal point, bathing it in bright, even light in contrast to the surrounding dining areas, which remain deliberately subdued.

Diners gather around Central’s open kitchen, where chefs move in a blur beneath a luminous grid ceiling. The glowing overhead plane contrasts with the dark, industrial palette of stainless steel and stone, transforming the kitchen into a stage-like focal point that amplifies the restaurant’s theatrical, high-energy atmosphere.

Photography by David Chatfield.

Much of the furniture has been custom-designed by J.AR OFFICE to suit the basement’s compact footprint. Bespoke dining tables, banquettes and integrated benches maximise seating while maintaining close proximity to the kitchen theatre. Bar stools and counter seating are arranged so that guests can observe the culinary performance unfolding before them, while discreet service stations seamlessly integrate into the material palette.

Throughout the day, the atmosphere shifts in tempo and intensity. What begins as a refined lunchtime venue gradually transforms into a late-night destination, complete with a disco ball that descends from the luminous ceiling during late-night revelries. As a result, Central succeeds not only in breathing new life into a historic basement but resurrects the spirit of escapism once associated with it, inviting diners to momentarily leave Brisbane behind and step into another urban world.

A mirrored disco ball emerges discreetly from an aperture within the luminous ceiling grid, hinting at the restaurant’s late-night transformation. The juxtaposition of disciplined, corporate-inspired lighting with this playful element underscores the project’s dual identity as both refined dining space and nocturnal venue.

Photography by David Chatfield.

A stepped dining area reveals Central’s layered spatial arrangement, with banquette seating set against exposed services and a backlit wine display. Pebble-filled recesses soften the industrial composition, while low lighting and compact volumes create an intimate, subterranean atmosphere.

Photography by David Chatfield.

A narrow passage at Central is defined by textured metallic walls and a translucent red curtain that filters light into warm, saturated tones. The corridor’s compressed proportions and reflective surfaces heighten a sense of transition, evoking the layered, neon-lit interiors associated with Hong Kong’s urban nightlife.

Photography by David Chatfield.

A sculptural stone basin carved from a single block stands against tiled walls in a secondary space, its rugged texture contrasting with precise plumbing fixtures and clean-lined surfaces. Warm, directional light accentuates the stone’s irregular form, extending the project’s dialogue between raw materiality and refined detailing.

Photography by David Chatfield.

Central by J.AR OFFICE Recasts a Historic Brisbane Basement as a Theatrical Dining Space