
Grand Hotel Belvedere: A Belle Époque Landmark in Wengen Reopens as a Contemporary Alpine Retreat
Words by Eric David
Location
Wengen, Switzerland
Grand Hotel Belvedere: A Belle Époque Landmark in Wengen Reopens as a Contemporary Alpine Retreat
Words by Eric David
Wengen, Switzerland
Wengen, Switzerland
Location
Reached by a single-cog railway that has steadily climbed from the valley floor ever since 1898, the Alpine village of Wengen embodies the romantic ideal of a Swiss retreat. Low-key and quietly charming, the village is set within a landscape of rare drama, offering visitors car-free streets and narrow footpaths, lined with timber chalets and modest gardens, high above the Lauterbrunnen Valley, a cinematic landscape of sheer cliffs, meadows, and waterfalls. With expansive open views that stretch towards the Jungfrau massif beyond, this destination’s interplay of intimacy and scale has long captured the attention and provided inspiration for artists and travellers alike: Goethe responded to the power of the valley’s waterfalls in verse, J. M. W. Turner was drawn to its shifting light and sense of immensity, while J. R. R. Tolkien, who visited in 1911, absorbed impressions that later resurfaced in his imagined landscapes.
It came as no surprise when French hospitality group Beaumier chose Wengen for its first Swiss property. The newly reopened Grand Hotel Belvedere occupies two landmark hotels dating back to the village’s early-20th-century heyday, thoughtfully reimagined by Geneva-based practices Clavien & Associates and Complete Works, with a newly built brutalist spa set discreetly between them. Artfully balancing the Heimatstil and Art Nouveau heritage of the original buildings with a contemporary sensibility, Wengen’s first five-star hotel feels grounded, deliberate, and distinctly of its place.

Photography by Benoit Linero.

Photography by Benoit Linero.

Photography by Benoit Linero.
The two buildings that now form the Grand Hotel Belvedere reflect Wengen’s emergence as a Belle Époque centre for skiing and alpine tourism at the turn of the 20th century. The former Wengener Hof dates back to 1898, while the original Grand Hotel Belvedere, completed in 1912, was once a beacon of Alpine glamour, its Heimatstil architecture and Art Nouveau interiors conceived to impress an international clientele. Rather than approaching the project as either nostalgic restoration or radical overhaul, longtime friends Arnaud Christin of Complete Works and Valéry Clavien of Clavien & Associés treated the property with a sense of continuity, preserving decorative fragments, construction logic, and material honesty while enabling the hotel to comfortably function as a contemporary five-star destination in its own right.

Photography by Benoit Linero.

Photography by Benoit Linero.

Photography by Benoit Linero.

Photography by Benoit Linero.
Largely contained within the 1912 building, the hotel’s public spaces present a renewed reading of its original Heimatstil architecture. Rooted in a romantic idea of “home” and shaped by illustrations from literature and folklore, the style privileges vernacular craft, regional forms, and local materials, principles that have guided the architects throughout. Original timber beams, hand-carved columns, and decorative wood panelling have been retained and restored to their lighter, natural pine hue, countering the darker, heavier aesthetic often associated with Alpine hotels, while once-concealed frescoes, including an Adam and Eve scene above the lobby fireplace, reintroduce a sense of narrative depth.
A carefully balanced mix of classic and contemporary furniture, including generously upholstered armchairs by Pinch and Thonet’s ‘209P’ chairs, sits alongside restored hand-blown glass chandeliers, handwoven rugs, and a restrained art collection curated by Marie Veidig for Saint Lazard, resulting in interiors that feel composed, tactile, and assured whilst never tripping hazardously into a realm of theatrics.

Photography by Benoit Linero.

Photography by Lucas Dutertry.

Photography by Benoit Linero.

Photography by Benoit Linero.
This refined, locally rooted sensibility carries through to the hotel’s culinary offering. At Brasserie Belvedere, Chef Will Gordon approaches Alpine cuisine with curiosity and restraint. His menu moves fluidly between Bern, Bolzano, and the French Savoie, where schnitzel sits comfortably alongside local caviar, homemade pastas, and a precisely executed beef pithivier. Simplicity guides the kitchen, reinforced by the fact that around 80 per cent of ingredients are sourced from within 100 kilometres of the hotel.
The Sonnenbad Lounge & Terrace offers a more relaxed counterpoint, serving wood-fired pizzas, raclette, and fondue beneath yellow parasols facing the peaks. Gordon’s philosophy also extends beyond the kitchen, offering guests the opportunity to go on foraging walks in the surrounding forests in search of porcini and other seasonal finds.

Photography by Anthony Louet.

Photography by Lucas Dutertry.

Photography by Lucas Dutertry.

Photography by Lucas Dutertry.

Photography by Lucas Dutertry.

Photography by Lucas Dutertry.
In the hotel’s’ 90 rooms, the design is deliberately restrained, allowing the dramatic setting to take precedence. Finishes are kept simple and tactile: lime-washed walls, pine panelling, and thick wool throws echo the tones and textures of the surrounding landscape, while bespoke furniture designed by Arnaud Christin reinforces a sense of functional simplicity. Large windows and balconies also play a defining role, opening out onto expansive views of the surrounding mountains and the Jungfrau massif beyond.

Photography by Lucas Dutertry.

Photography by Lucas Dutertry.

Photography by Lucas Dutertry.

Photography by Anthony Louet.

Photography by Anthony Louet.
Set between the two historic buildings, the spa is the project’s most assertive contemporary gesture. Designed by Clavien & Associés, the low-slung brutalist structure is built into the landscape, its concrete volumes softened by a planted roof and views over gardens and forests. Inside, the atmosphere is meditative and deliberately sparse. An indoor-outdoor pool inspired by Japanese bathing culture forms the heart of the space, complemented by a sauna, hammam, and four treatment rooms. Treatments by Susanne Kaufmann, formulated with Alpine botanicals, reinforce the sense of communion with the surrounding terrain, making the spa feel less like an escape from nature than a deepening of it.

Photography by Benoit Linero.

Photography by Benoit Linero.

Photography by Lucas Dutertry.

Photography © Grand Hotel Belvedere.
The hotel's foraging excursions form part of a wider programme of experiences that position the Grand Hotel Belvedere as a genuinely year-round destination, a shrewd move considering that the ski season seems to be growing shorter year after year. Winter of course still allows access to the legendary slopes of Grindelwald, including the Lauberhorn descent, the longest downhill courses in the Alpine Ski World Cup, alongside snowshoeing through nearby forests. In the warmer months, hiking, horseback riding, paragliding, and kayaking on the turquoise waters of Lake Brienz com to the fore. Closer to home, the hotel offers quieter rituals such as early-morning outdoor yoga sessions on the lawn, pasta-making workshops, and mixology classes.

Photography by Anthony Louet.
At the Grand Hotel Belvedere, heritage is not staged but rather inhabited. By allowing architecture, landscape, and contemporary hospitality to speak in measured harmony, the hotel offers a model of Alpine luxury that feels both rooted and quietly forward-looking, providing those lucky enough to visit an invitation to slow down, look outward, and stay awhile.

Photography by Benoit Linero.











