
AIM Architecture Reimagines a Cosmetics Store in Beijing as an Art Storage Facility
Words by Yatzer
Location
Beijing, China
AIM Architecture Reimagines a Cosmetics Store in Beijing as an Art Storage Facility
Words by Yatzer
Beijing, China
Beijing, China
Location
At a time when beauty retail tends to oscillate between high-gloss luxury boutiques and softly lit wellness sanctuaries, HARMAY has carved out a markedly different path. Embracing an industrial, warehouse-inspired aesthetic, the Chinese cosmetics retailer has consistently reframed shopping as an exploratory act that is less about passive consumption and more about discovery, collection and personal curation.
A longstanding collaborator of the brand, Shanghai-based AIM Architecture has shaped numerous HARMAY stores, each time interpreting its utilitarian logic through a distinct conceptual lens; for its latest flagship at Beijing’s Hopson One Mall, the studio turns to the typology of art storage and museum archives—spaces where objects are not staged for display but systematically preserved, catalogued and retrieved. Transposed into a retail environment through a crisply minimalist, futuristic design lens, this approach succeeds in recasting beauty products as items of value rather than fleeting commodities.

Photography © Seth Powers.

Photography © Seth Powers.

Photography © Seth Powers.

Photography © Seth Powers.
Spanning two levels, the interior unfolds through a system that merges circulation, storage and display into a single spatial language. A central staircase, constructed as a pragmatic metal framework stacked on top of integrated cargo boxes, anchors the experience, guiding visitors upwards in a fluid, almost intuitive manner. Around it, movable mesh panels, overhead shelving and modular display units create a flexible environment that can be continuously reconfigured.
Formally, the interior is articulated through a rigorous geometric language of repetitive linear elements and square grids. This disciplined vocabulary is expressed across shelving, mesh partitions and ceiling coffers, creating a sense of order and visual rhythm. In combination with a restrained palette of stainless steel, polished concrete and glass, these elements establish a monochromatic, gleaming backdrop that feels at once industrial and futuristic, lending the space an immersive, almost cinematic quality.

Photography © Seth Powers.

Photography © Seth Powers.

Photography © Seth Powers.

Photography © Seth Powers.

Photography © Seth Powers.

Photography © Seth Powers.

Photography © Seth Powers.
Within this sleek environment, subtle inflections are introduced to temper the austerity. Wooden crates integrated into the central staircase and various displays bring with them a note of tactility and warmth, replicas of classical sculptures and abstract paintings playfully underscore the notion of beauty products as artworks, while turquoise-painted metal racks punctuate the greyscale expanse with calibrated bursts of colour. The effect is both graphic and spatial, lending the space a scenographic dimension without disrupting an otherwise overall sense of clarity and restraint.
Ultimately, AIM Architecture’s design proposes a quiet but compelling shift in how retail can be experienced. By borrowing from the operational logic of art storage, it elevates the everyday act of shopping into something definitively more deliberate and reflective.

Photography © Seth Powers.

Photography © Seth Powers.

Photography © Seth Powers.

Photography © Seth Powers.

Photography © Seth Powers.

Photography © Seth Powers.

Photography © Seth Powers.



