
The Nest: A Prefabricated Off-Grid Retreat off Vancouver’s Coast by Daria Sheina Studio
Words by Eric David
Location
Keats Island, British Columbia, Canada
The Nest: A Prefabricated Off-Grid Retreat off Vancouver’s Coast by Daria Sheina Studio
Words by Eric David
Keats Island, British Columbia, Canada
Keats Island, British Columbia, Canada
Location
Perched high on Keats Island, a short ferry ride from Vancouver yet a world apart in atmosphere, The Nest by architect Daria Sheina is an off-grid retreat that takes its cues from both its name and its setting. Wrapped in a dense evergreen canopy with views across Howe Sound, the house feels at once like a cabin and a tree-house, a surrealist perch that blurs the boundary between architecture and nature. Beyond its whimsical form, it sets a new benchmark for sustainable prefabricated design in remote locations, one that forges a deep connection to place without sacrificing aesthetics.
Densely forested and rugged, Keats Island is a recreational escape dotted with summer cabins and a close-knit community of about 50 full-time residents. Located on one of the island’s highest points, the property’s seclusion, elevated topography, and breathtaking panoramas had a profound influence on the project’s design, resulting in a house that feels anchored in its landscape while also rising above it like a lookout.

Photography by Andrew Latreille.

Photography by Andrew Latreille.

Photography by Andrew Latreille.

Photography by Andrew Latreille.
Architecturally, the house is conceived as the collision of two cubic volumes, one rotated 45 degrees against the other to create a striking, angular silhouette. The upper volume appears to pivot outward, its broad glazed facade opening out to the forest and sky. Despite this quirky geometry, the structure is harmoniously embedded in its setting, its Western red cedar cladding binding the volumes together in a warm, natural skin. With time, the timber will weather to silvery hues, softening the geometry and further blending the house into the landscape

Photography by Andrew Latreille.

Photography by Andrew Latreille.

Photography by Andrew Latreille.

Photography by Andrew Latreille.
The building’s volumetric playfulness is carried inside, where the angled upper volume dramatically penetrates the double-height living area. Organised as a vertical, three-level configuration, the house cleverly maximises its modest footprint: the ground floor accommodates the kitchen, dining area, living room, and bathroom, while the angled upper volume contains a lounge on the middle level and a bedroom tucked beneath the slanted skylight above. This sequence unfolds like an ascent through the treetops, culminating in a nest-like bedroom where waking beneath the tilted glazing feels akin to inhabiting the canopy itself.
The interiors balance architectural restraint with moments of playful character. From floor to walls to ceilings, the spaces are wrapped in timber boards and panels left in their natural finish, creating a continuous, cocoon-like environment that amplifies the sensation of shelter. This warm wooden envelope is complemented by green Marmoleum flooring, a subtle gesture that mirrors the moss-carpeted forest outside. Against this calm, unified backdrop, the clients introduced distinctive pieces: a wood-framed tan leather sofa, Philippe Starck’s tongue-in-cheek Gnomes side tables for Kartell, and a fern-green Eames RAR rocking chair by Vitra. Together, they temper the home’s sculptural rigour with warmth and whimsy.

Photography by Andrew Latreille.

Photography by Andrew Latreille.

Photography by Andrew Latreille.

Photography by Andrew Latreille.

Photography by Andrew Latreille.

Photography by Andrew Latreille.
With a strong emphasis on sustainability, the off-grid home operates entirely on solar power, along with rainwater harvesting and filtration, and an incinerating toilet. Mass timber construction eliminated the need for structural steel, while minimal foundations reduced excavation, ensuring the delicate forest terrain remained largely untouched.
Given the site’s inaccessibility—the island is reachable only by water taxi or passenger ferry—prefabrication was not just a design choice but a necessity. Sheina collaborated with a specialist prefab company in order to virtually model every component for efficient transport by truck, barge, and helicopter. “The process was an intricate puzzle of design, engineering, and logistics,” she recalls. Remarkably, the entire structure was assembled in just two days, an extraordinary feat of coordination and planning.

Photography by Andrew Latreille.

Photography by Andrew Latreille.

Photography by Andrew Latreille.

Photography by Andrew Latreille.

Photography by Andrew Latreille.

Photography by Andrew Latreille.
For the homeowners, two professionals who both owned separate properties on the island before becoming a couple, The Nest is as personal as it is architectural. “Keats Island is such a special place; it’s so close to the city, and yet a million miles away,” they reflect. “The Nest is meant to amplify that effect for us, providing us with an escape to balance our sanity and mental health from the realities we easily get caught up in back in Vancouver.”
Compact, eco-conscious, and idiosyncratically beautiful, The Nest demonstrates how prefabricated architecture can be both visionary and rooted. Hovering between cabin and tree-house, it offers its owners not only a retreat but also a nest in the fullest sense of the word.

Photography by Andrew Latreille.

Photography by Andrew Latreille.